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“International Abstraction after World War II: The US, France, Germany, and Beyond”
Time: 02/21/2018: 8:30AM–10:00AM
Location: Room 410
Chair: Sabine Eckmann, Washington University in St. Louis; Angela Miller, Washington University in St. Louis
“Postwar Abstract Sculpture as War Monument”
Robert Slifkin, Institute of Fine Arts, NYU
“Action painting, Georges Mathieu and “spectacle””
AnnMarie Perl, Princeton University
“Modernism’s Immanent Aesthetics: Abstract Painting between New Music and Fluxus”
Natilee Harren, University of Houston
Discussants: Sabine Eckmann, Washington University in St. Louis; Angela Miller, Washington University in St. Louis
Sessions; Regular Sessions
Subject Areas
EuropeTheoryAestheticsMateriality of ArtArt HistoryTwentieth CenturyDrawingPaintingUnited States of AmericaWorldEastern EuropeGreat BritainNorthern EuropeSouthern Europe and MediterraneanWestern and Central EuropePhotography (history and studio)PrintmakingWorks on PaperAbstract ExpressionismAbstractionArt CriticismCuratorshipPublishing
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