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Schedule

Artistic Practice

Wednesday 02/21/2018

8:30am

“Against Algorithms (Or the Arts of Resistance in the Age of Quantification)”Room 409A

“Framing the Struggle: Early Twentieth-Century Women Modernists”Room 501C

“Theorizing Drawing: The Gap between Historical Accounts and Studio Practice”Room 406A

10:30am

“Aesthetics and Control: Artists Respond to the Surveillance Apparatus”Room 409A

“Alternative Visions: The Photograph, Self-Representation, and Fact in Contemporary Art of the United States”Room 505

“Disability Aesthetics and Choreopolitics”Room 404B

“Made by Hand: The Revival of Drawing from Direct Observation”Room 406A

“Regionalism in the Global Era”Room 405

2:00PM

“The Call to the Virtual: Virtual Reality as Artform, Discourse, Intervention”Room 402B

“Visualizing Genocide: Retelling Native American Survival through Art”Room 506

4:00PM

“All in the Family: Northern European Artistic Dynasties, ca. 1350–1750” (Historians of Netherlandish Art HNA)Room 404A

“Data Publics: Art in the Age of Platforms”Room 402B

“Group Encounters: Rethinking the Social in and through Performance”Room 505

Thursday 02/22/2018

8:30am

“British Abstraction after World War II”Room 407

“Craft and Resistance”Room 408B

“Italian Renaissance Art in the Age of Leonardo, Part I”Room 404A

“New Horizons: Contemporary Pacific Arts, Digital Archives, and Colonial Boundaries” (Pacific Arts Association PAA)Room 406B

10:30am

“Artistic Afterlives, or Rethinking Nachleben”Room 404A

“Calligraphy’s Visuality in China”Room 501C

“Pop Art and Class, Part I”Room 409A

2:00PM

“’68 and After: Art and Political Engagement in Europe” (European Postwar and Contemporary Art Forum EPCAF)Room 409A

“Alternative Beginnings: Towards an-Other History of Immersive Arts and Technologies” (New Media Caucus)Room 406B

“Changing Hands: When Art History Meets the Art Market” (The International Art Market Studies Association TIAMSA)Room 404B

“Elements of an Artist’s Legacy”Room 406A

“Intercontinental: Indigenous Artists of the Americas on the Contemporary Art Stage”Room 409B

“The Collective as a Model for Practices in Diversity and Inclusion” (Committee on Diversity Practices)Room 501C

4:00PM

“Art of Haiti, 1940s to the Present, Part II”Room 407

“Spaces and Places for Artistic Interdisciplinary Collaboration in Science, Engineering, Arts, Technology, and Design”Room 404A

“The Artist’s Resource: Building Documentation Systems for Artists”Room 406A

“Touch and Tooling: A Social and Historical Perspective on Craft and Engagement in Contemporary Ceramics”Room 408B

6:00PM

“Let’s Dance, But Don’t Call Me Baby: Dialogue, Empathy, and Inclusion in the Classroom and Beyond” (Foundations in Art: Theory and Education FATE)Room 409A

“Medium Sensitivity and the Ingenuity of Translation”Room 402A

“Teaching and Writing the Art Histories of Latin American Los Angeles” (Art Historians of Southern California AHSC)Room 403B

“The Craft School Experience”Room 408B

Friday 02/23/2018

8:30am

“Global Conversations – Border Crossings: The Migration of Art, People, and Ideas” (CAA-Getty International Program and International Committee)Room 403B

“Irrational Identities: Art, Science, and Selves”Room 405

“Pop Art and Class, Part II”Room 501B

“Speech Balloons and Thought Bubbles: Architecture and Cartoons”Room 406A

10:30am

“Climate Aesthetics in the Anthropocene”Room 405

“Cultural Literacy and Ecological Crisis”Room 410

“Methodologies for the Contemporary Art of Global Asias “Room 501C

“Recipes for Revolution from Feminist Artists of Color” (Women’s Caucus for Art WCA)Room 501B

“West Coast Artists and the Catalogue Raisonné” (Catalogue Raisonné Scholars Association CRSA)Room 402B

2:00PM

“Collaboration on Paper”Room 406A

“Women Artists, Social Issues, and the Resistance” (Coalition of Women in the Arts Organizations CWAO)Room 501B

“Working Out of Medium”Room 409A

4:00PM

“Art and Reason: Art’s Possible Worlds”Room 405

“Feminist Art in Response to the State” (The Feminist Art Project TFAP)Room 404A

“Local and Global Career Detours: Negotiating and Navigating the Arts through Precarious Times” (Northern California Art Historians NCAH)Room 407

“Roundtable: Digital Publishing, Dissent, and Socially Engaged Art History”Room 501C

Molds as Cultural and Material MediatorsRoom 409A

6:00PM

“Craft: Unsettling Hierarchies”Room 408B

Saturday 02/24/2018

8:30am

“Critical Craft: Decolonizing Craft”Room 408B

“Ekphrastic Image-Making in Early Modern Europe” Room 403B

“How We Practice”Room 402B

10:30am

“A Way/s from Home: Blackness Across Nations”Room 409A

“Curating Experience as a Work of Art”Room 407

“Interaction with Color Redux”Room 402B

“Recuperation”Room 406A

2:00PM

“A Second Talent: Art Historians Making Art, Part I”Room 410

“The Exhibition as Critical Practice” (Southeastern College Art Conference SECAC)Room 407

4:00PM

“A Second Talent: Art Historians Making Art, Part II”Room 410

“Art History as Anti-Oppression Work”Room 405

“Fear of the Unknown” (Mid-America College Art Association MACAA)Room 402B

“Structure, Texture, Facture in Avant-Garde Art”Room 501A

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