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Schedule

Interdisciplinary

Wednesday 02/21/2018

8:30am

“Changing Interactions: Japanese Artists and the West Coast, Part I”Room 503

“Framing the Struggle: Early Twentieth-Century Women Modernists”Room 501C

“Practical Approaches and Collaborations: A Sessions to Share Ideas and Methods for the Art History Survey”Room 402A

10:30am

“A Public Art Primer: Expanding Form and Content”Room 506

“Aesthetics and Control: Artists Respond to the Surveillance Apparatus”Room 409A

“Art/Data”Room 402B

“LA/LX: Queer and Latinx in Los Angeles” (Queer Caucus for Art QCA)Room 403B

“Localizing History through Donor Portraits: Images of Donors and Ritual Scenes in Early Medieval South Asia”Room 407

“No Experiments: Art, Culture, and Politics in the Federal Republic of Germany, 1949–89”Room 410

“Regionalism in the Global Era”Room 405

“Shifting Sands: New Trends in Visual Resource Services” (Visual Resources Association VRA)Room 406B

“State of the Art (History): Re-Examining the Exam” (Art Historians Interested in Pedagogy and Technology AHPT)Room 402A

2:00PM

“Museums, Access, and the Ethics of Care”Room 404B

“The Tool: Cultural Expressions, Histories, Rhetoric, and Agency”Room 406B

4:00PM

“Art, Agency, and the Making of Identities at a Global Level, 1600-2000, Part II”Room 409A

“Build It and They Will Come: How to Bring the Art World to Your Backwoods Outpost Town”Room 506

“Championing the Relevancy of Studio Art and Art History in the Twenty-First Century: Stories of Success and Advocacy” (Community College Professors of Art and Art History CCPAAH)Room 402A

“Data Publics: Art in the Age of Platforms”Room 402B

“Educating Hybrid Practitioners”Room 406A

“From the Globe to the Cosmos: Entangled Perspectives on the Question of Global Art and World Art”Room 405

“Imagining Constructivism’s Constellations: Alternative Histories of Cold War Cultural Production”Room 501A

Thursday 02/22/2018

8:30am

“Art Historical Ecology: Asian Perspectives”Room 501B

“British Abstraction after World War II”Room 407

“Learning from Elsewhere: Critical Arts Pedagogies in the University”Room 406A

10:30am

“Collaborating with Communities”Room 405

“Online Platforms for Interdisciplinary Arts Research” (Alliance for the Arts in Research Universities a2ru)Room 406A

“Transforming Communities through the Arts” (National Council of Arts Administrators NCAA)Room 408B

2:00PM

“Imperial Islands: Vision and Experience in the American Empire after 1898 “Room 506

“Intercontinental: Indigenous Artists of the Americas on the Contemporary Art Stage”Room 409B

“My Hands are (Un)tied: Craft in an Anxiety Age”Room 408B

4:00PM

“A Room of One’s Own: National Models for Creating Artists Spaces and Artists Housing”Room 403B

“Intimate Geographies”Room 410

“Spaces and Places for Artistic Interdisciplinary Collaboration in Science, Engineering, Arts, Technology, and Design”Room 404A

6:00PM

“Medium Sensitivity and the Ingenuity of Translation”Room 402A

“Teaching and Writing the Art Histories of Latin American Los Angeles” (Art Historians of Southern California AHSC)Room 403B

“The Craft School Experience”Room 408B

Friday 02/23/2018

8:30am

“Circuits of Belonging: Rerouting Blackness in the Imaginary”Room 408A

“Cold War Art Archives, Collections, and Exhibitions: Starting from Los Angeles”Room 402B

“Florence, Berlin, and Beyond: Social Network and the Late Nineteenth-Century Art Market, Part I”Room 404A

“Innovative, Collaborative & Interdisciplinary Approaches in Higher Education Programs, Pedagogy and Practice” (Education Committee)Room 407

“Irrational Identities: Art, Science, and Selves”Room 405

“Reorganizing the Art World: Postwar and Contemporary Collectives in Asia”Room 501C

10:30am

“Art and Fiction Since the 60s”Room 404B

“Cultural Literacy and Ecological Crisis”Room 410

“Digital Surrogates: The Reproduction and (re)Presentation of Art and Cultural Heritage”Room 409A

“Repair and Maintenance in Art, Architecture, and Design, Part I”Room 406A

12:30PM

Copyright, Fair Use, and Their Limits Part IIRoom 501A

2:00PM

“#classroomssowhite: Strategies for Inclusive Teaching in Arts-Based Higher Education”Room 407

“A Critical Conversation on Affect Theory, Neuroscience, and Art-Science Collaborations”Room 405

“Soundscape/Textscape”Room 410

4:00PM

“Art and Reason: Art’s Possible Worlds”Room 405

“Art and Science in the Twenty-First Century”Room 501A

“Crafted InSites”Room 408B

“Decolonizing Design: Considering a Non-Western Approach to Design Pedagogy”Room 402A

“Provenance Research as a Method of Connoisseurship?”Room 506

“Repair and Maintenance in Art, Architecture, and Design, Part II”Room 406A

“The Park Place Group: Another Minimalism”Room 410

Molds as Cultural and Material MediatorsRoom 409A

Saturday 02/24/2018

8:30am

“Art Nouveau: Symbolism of Beauty and Novelty” (Association for Textual Scholarship in Art History ATSAH)Room 501A

“Inter-Arts Exchange as Modernist Method, circa 1900”Room 501B

“Material Culture and Art History: A State of the Field(s) Panel Discussion” (Association of Research Institutes in Art History ARIAH)Room 410

10:30am

“Experiments with Technology in Latin American Art: From the 1960s to the 1980s”Room 404B

“Materials, Makers, and Commissions: Moving Objects between Asia, Europe, and the Americas during Early Modern Globalization”Room 404A

“Recuperation”Room 406A

2:00PM

“A Second Talent: Art Historians Making Art, Part I”Room 410

“Cities as Labs for Innovation Tackling Global Challenges: Transdisciplinarity and the Future of the University” (Leonardo Education and Art Forum LEAF)Room 406B

“Design Incubation Colloquium 4.2: CAA 2018 Los Angeles” (Design Incubation)Room 402A

“Mobilities: Italy and the New World”Room 404A

“Pop América: Contesting Freedom, 1965–75”Room 404B

“The Exhibition as Critical Practice” (Southeastern College Art Conference SECAC)Room 407

4:00PM

“A Second Talent: Art Historians Making Art, Part II”Room 410

“Critical Craft: What Craft Archives?”Room 408B

“No Discipline”Room 408A

“Speculative Play”Room 402A

“Structure, Texture, Facture in Avant-Garde Art”Room 501A

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