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Schedule

Sculpture

Wednesday 02/21/2018

8:30am

“Framing the Struggle: Early Twentieth-Century Women Modernists”Room 501C

“Materials and Techniques in the Cultural Sphere”Room 409B

“Performing Authenticity”Room 505

10:30am

“Ambivalences and Appropriations: Some American Artists”Room 501C

“Localizing History through Donor Portraits: Images of Donors and Ritual Scenes in Early Medieval South Asia”Room 407

2:00PM

“Alternative Animation: Inscriptions, Pedestals, and Object Caches in Premodern Japanese Buddhist Images” (Japan Art History Forum JAHF)Room 407

4:00PM

“Art, Agency, and the Making of Identities at a Global Level, 1600-2000, Part II”Room 409A

“Icons of the Midwest: Cavaliere d’Arpino’s ‘Perseus Rescuing Andromeda’ at the Saint Louis Art Museum” (Midwest Art History Society MAHS)Room 406B

Thursday 02/22/2018

8:30am

“How Many Ways to Miss the Mark? Lucio Fontana between Formalism and Historicity “Room 409A

“The Image of the American Indian in Nineteenth-Century Britain: New Critical Perspectives” (Historians of British Art HBA)Room 506

10:30am

“International Image Interoperability Framework Use Cases for Enhanced Research and Collection Engagement”Room 404B

“Materiality and Metaphor: The Uses of Gold in Asian Art”Room 407

“Pop Art and Class, Part I”Room 409A

2:00PM

“Art of Haiti, 1940s to the Present, Part I”Room 407

“Changing Hands: When Art History Meets the Art Market” (The International Art Market Studies Association TIAMSA)Room 404B

“Intercontinental: Indigenous Artists of the Americas on the Contemporary Art Stage”Room 409B

“Women Artists, 1800–1900” (Association of Historians of Nineteenth-Century Art AHNCA)Room 403B

4:00PM

“Art of Haiti, 1940s to the Present, Part II”Room 407

“Intimate Geographies”Room 410

“Permanence/Impermanence: Materiality in the Precolumbian World”Room 409B

“Touch and Tooling: A Social and Historical Perspective on Craft and Engagement in Contemporary Ceramics”Room 408B

6:00PM

“Let’s Dance, But Don’t Call Me Baby: Dialogue, Empathy, and Inclusion in the Classroom and Beyond” (Foundations in Art: Theory and Education FATE)Room 409A

“Medium Sensitivity and the Ingenuity of Translation”Room 402A

“Teaching and Writing the Art Histories of Latin American Los Angeles” (Art Historians of Southern California AHSC)Room 403B

Friday 02/23/2018

8:30am

“Casts: Plaster and Pedagogy”Room 409A

10:30am

“Art in Middle Eastern Diplomacy, Part I: Politics and Museums”Room 503

“Climate Aesthetics in the Anthropocene”Room 405

“West Coast Artists and the Catalogue Raisonné” (Catalogue Raisonné Scholars Association CRSA)Room 402B

2:00PM

“Shifting Temporalities in Early Modern Rome”Room 505

“Teachable Monuments: Using Public Art to Spark Dialogue and Address Controversies” (Public Art Dialogue PAD)Room 402B

4:00PM

“The Park Place Group: Another Minimalism”Room 410

Molds as Cultural and Material MediatorsRoom 409A

6:00PM

“Place and Agency in Ancient American Murals and Monuments, Part II “Room 402B

Saturday 02/24/2018

8:30am

“Abstraction in Africa: Origins, Meaning, Function” (Arts Council of the African Studies Association ACASA)Room 409A

“Eccentric Images in the Early Modern World, Part I’Room 404B

“Inter-Arts Exchange as Modernist Method, circa 1900”Room 501B

10:30am

“Eccentric Images in the Early Modern World, Part II”Room 403B

“Materials, Makers, and Commissions: Moving Objects between Asia, Europe, and the Americas during Early Modern Globalization”Room 404A

“Recuperation”Room 406A

2:00PM

“Fashion, Costume, and Consumer Culture in Iberia and Latin America: A Sessions in Honor of Gridley McKim-Smith” (American Society for Hispanic Art Historical Studies ASHAHS)Room 405

“Pop América: Contesting Freedom, 1965–75”Room 404B

“The Exhibition as Critical Practice” (Southeastern College Art Conference SECAC)Room 407

4:00PM

“Structure, Texture, Facture in Avant-Garde Art”Room 501A

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