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Schedule

Conceptual

Wednesday 02/21/2018

8:30am

“Site Specific, Collaborative, and Interactive Platforms within Locative Media”Room 402B

10:30am

“Alternative Visions: The Photograph, Self-Representation, and Fact in Contemporary Art of the United States”Room 505

“Art/Data”Room 402B

“No Experiments: Art, Culture, and Politics in the Federal Republic of Germany, 1949–89”Room 410

2:00PM

“Locating LeWitt: Issues of Site, Space, and Movement”Room 409A

“Performance, Voice, and Embodiment: Ventriloquism in Contemporary Art”Room 505

“Reconsidering Pacific Standard Time: LA/LA”Room 403B

Thursday 02/22/2018

8:30am

“Craft and Resistance”Room 408B

“How Many Ways to Miss the Mark? Lucio Fontana between Formalism and Historicity “Room 409A

10:30am

“(Un)Common Intent: Performance Scores as Contractual Exchange”Room 501A

“Borders and Breakthroughs: The Afterlife of PST LA/LA, Part II”Room 403B

“From Nirvana to Catastrophe: Matsuzawa Yutaka and his “Commune in Imaginary Space””Room 501B

“The Aesthetics of Intervention: Federal Governments and Native Art across North America”Room 409B

2:00PM

“Changing Hands: When Art History Meets the Art Market” (The International Art Market Studies Association TIAMSA)Room 404B

“Intercontinental: Indigenous Artists of the Americas on the Contemporary Art Stage”Room 409B

“Object – Event – Performance: Art, Materiality, and Continuity since the 1960s”Room 501A

“Restaging Exhibitions: Past, Present, Futures?, Part I: Curators in the Act of Restaging”Room 408A

4:00PM

“A Room of One’s Own: National Models for Creating Artists Spaces and Artists Housing”Room 403B

“Save Our Children! That Sweet, Sweet Pie in Anita Bryant’s Face”Room 405

“Spaces and Places for Artistic Interdisciplinary Collaboration in Science, Engineering, Arts, Technology, and Design”Room 404A

“Touch and Tooling: A Social and Historical Perspective on Craft and Engagement in Contemporary Ceramics”Room 408B

6:00PM

“Medium Sensitivity and the Ingenuity of Translation”Room 402A

“Movements in Art and Activism: Radical Practice in California and Beyond”Room 405

“Teaching and Writing the Art Histories of Latin American Los Angeles” (Art Historians of Southern California AHSC)Room 403B

Friday 02/23/2018

8:30am

“Alt-Aesthetics: The Alt-Right and the New Turn in Appropriation”Room 404B

“Autonomy and the 1960s”Room 409B

10:30am

“Cultural Literacy and Ecological Crisis”Room 410

“Methodologies for the Contemporary Art of Global Asias “Room 501C

2:00PM

“Art and Criticism in the Anthropocene”Room 506

“Art and the Cold War in East Asia: The Long 1970s”Room 409B

“Art on the Nature of Data about Nature”Room 501A

“Women Artists, Social Issues, and the Resistance” (Coalition of Women in the Arts Organizations CWAO)Room 501B

4:00PM

“‘Change the Joke, Slip the Yoke’ Twenty Years Later: African American Artists and ‘Negative’ Imagery”Room 408A

“Art and Reason: Art’s Possible Worlds”Room 405

“Art in the Age of Global Martial Law”Room 406B

“Crafted InSites”Room 408B

6:00PM

“A System of Systems: Cybernetics and Play in Postwar Art”Room 405

“African Americans and US Law in Visual Culture”Room 408A

Saturday 02/24/2018

8:30am

“Artistic Practice in a Posthuman World”Room 406A

“Evasive Articulations in the Age of ‘Fake News’: Thinking About the Relationship Between Art and Truth During the Trump Era”Room 503

10:30am

“Critical Craft: Voice of the Object “Room 408B

“Curating Experience as a Work of Art”Room 407

“Design for Participation” (Committee on Design)Room 402A

“Interaction with Color Redux”Room 402B

“Palpable and Mute as a Globed Fruit and Dumb as Old Medallions to the Thumb “Room 410

“Recuperation”Room 406A

2:00PM

“Critical Craft: Craft’s Evolving Relationship with Industry”Room 408B

“Pop América: Contesting Freedom, 1965–75”Room 404B

4:00PM

“Critical Craft: What Craft Archives?”Room 408B

“Fear of the Unknown” (Mid-America College Art Association MACAA)Room 402B

“Speculative Play”Room 402A

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