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Schedule

Europe

Wednesday 02/21/2018

8:30am

“Ariadne’s Thread: Understanding Eurasia Through Textiles”Room 408B

“Historicizing Loss in Early Modern Europe”Room 404A

“Imitation, Influence, and Invention in the Enlightenment” (Historians of Eighteenth-Century Art and Architecture HECAA)Room 501B

“International Abstraction after World War II: The US, France, Germany, and Beyond”Room 410

“Materials and Techniques in the Cultural Sphere”Room 409B

“Now You See It, Now You Don’t: Materialism and Ephemeral Prints” (Association of Print Scholars APS)Room 406B

“Sport, Fitness, and Wellbeing in Art History”Room 404B

“Theorizing Drawing: The Gap between Historical Accounts and Studio Practice”Room 406A

“Viral Media and South Asia”Room 407

10:30am

“Art/Data”Room 402B

“No Experiments: Art, Culture, and Politics in the Federal Republic of Germany, 1949–89”Room 410

“The Elements and Elementality in Art of the Premodern World”Room 408A

“The French Fragment: Revolution to Fin-de-Siècle Part I”Room 501B

“Travel, Diplomacy, and Networks of Global Exchange in the Early Modern Period, Part I”Room 404A

2:00PM

“Archives, Documents, Evidence”Room 409B

“Art, Agency, and the Making of Identities at a Global Level, 1600–2000, Part I”Room 405

“Avant-Gardes and Varieties of Fascism, Part I”Room 501A

“Circumventing Censorship in Global Eighteenth-Century Visual Culture”Room 501B

“The Call to the Virtual: Virtual Reality as Artform, Discourse, Intervention”Room 402B

“Unruly Women in Early Modern Art and Material Culture” (Society for the Study of Early Modern Women SSEMW)Room 404A

4:00PM

“Icons of the Midwest: Cavaliere d’Arpino’s ‘Perseus Rescuing Andromeda’ at the Saint Louis Art Museum” (Midwest Art History Society MAHS)Room 406B

“Travel, Diplomacy, and Networks of Global Exchange in the Early Modern Period, Part II”Room 503

Thursday 02/22/2018

8:30am

“British Abstraction after World War II”Room 407

“Envisioning Time in Early Modern China” Room 501C

“Italian Renaissance Art in the Age of Leonardo, Part I”Room 404A

“Learning from Elsewhere: Critical Arts Pedagogies in the University”Room 406A

“New Horizons: Contemporary Pacific Arts, Digital Archives, and Colonial Boundaries” (Pacific Arts Association PAA)Room 406B

“Projecting the Body: Beyond the Ocular”Room 501A

“Reflective Surfaces in Medieval and Early Modern Art”Room 505

10:30am

“Artistic Afterlives, or Rethinking Nachleben”Room 404A

“From Nirvana to Catastrophe: Matsuzawa Yutaka and his “Commune in Imaginary Space””Room 501B

“International Art Exhibitions of the 1980s: The Festivals of India”Room 402A

“International Image Interoperability Framework Use Cases for Enhanced Research and Collection Engagement”Room 404B

“Pop Art and Class, Part I”Room 409A

“The Aesthetics of Intervention: Federal Governments and Native Art across North America”Room 409B

“The Postwar Environment in Global Context”Room 406B

2:00PM

“’68 and After: Art and Political Engagement in Europe” (European Postwar and Contemporary Art Forum EPCAF)Room 409A

“Women Artists, 1800–1900” (Association of Historians of Nineteenth-Century Art AHNCA)Room 403B

4:00PM

“Collecting, Cutting, and Collaging”Room 406B

“New Developments in Museum Practices”Room 408A

“The Audience as Producer, 1750 – 1900”Room 404B

“The Renaissance Contribution to the Formation of “Islamic Art” “Room 503

6:00PM

“Medium Sensitivity and the Ingenuity of Translation”Room 402A

Friday 02/23/2018

8:30am

“Alt-Aesthetics: The Alt-Right and the New Turn in Appropriation”Room 404B

“Casts: Plaster and Pedagogy”Room 409A

“Florence, Berlin, and Beyond: Social Network and the Late Nineteenth-Century Art Market, Part I”Room 404A

“Global Conversations – Border Crossings: The Migration of Art, People, and Ideas” (CAA-Getty International Program and International Committee)Room 403B

“Italian Renaissance Art in the Age of Leonardo, Part II “Room 410

“Material Processes of Medieval Art and Architecture”Room 505

“Pop Art and Class, Part II”Room 501B

“Warp, Weft, World: Postwar Textiles and Transcultural Form”Room 408B

10:30am

“Avant-Gardes and Varieties of Fascism, Part II”Room 407

“Dialoguing with the Early Modern Netherlands”Room 505

“Digital Surrogates: The Reproduction and (re)Presentation of Art and Cultural Heritage”Room 409A

“Florence, Berlin, and Beyond: Social Network and the Late Nineteenth-Century Art Market, Part II”Room 404A

2:00PM

“A Critical Conversation on Affect Theory, Neuroscience, and Art-Science Collaborations”Room 405

“Art on the Nature of Data about Nature”Room 501A

“Collaboration on Paper”Room 406A

“Hucksters or Connoisseurs?: The Role of Intermediary Agents in Art Economies”Room 404B

“Shifting Temporalities in Early Modern Rome”Room 505

“The 1790s” (American Society for Eighteenth-Century Studies ASECS)Room 503

4:00PM

“‘Change the Joke, Slip the Yoke’ Twenty Years Later: African American Artists and ‘Negative’ Imagery”Room 408A

“Art and Reason: Art’s Possible Worlds”Room 405

“Drawing from the Inside Out Exhibitor Session: Simultaneous Contrast in Color Theory”Room 511A

“Taking it to the Streets: The Visual and Material Culture of Women’s Marches” (Committee on Women in the Arts)Room 501B

“The French Fragment: Revolution to Fin-de-Siècle Part II”Room 505

Molds as Cultural and Material MediatorsRoom 409A

6:00PM

“A System of Systems: Cybernetics and Play in Postwar Art”Room 405

“Destabilizing the Geographic in Modern and Contemporary Art”Room 406B

Saturday 02/24/2018

8:30am

“Art Nouveau: Symbolism of Beauty and Novelty” (Association for Textual Scholarship in Art History ATSAH)Room 501A

“Eccentric Images in the Early Modern World, Part I’Room 404B

“Ekphrastic Image-Making in Early Modern Europe” Room 403B

“Inter-Arts Exchange as Modernist Method, circa 1900”Room 501B

“Politics and Power in the Americas: Transhistorical Perspectives”Room 405

10:30am

“A Way/s from Home: Blackness Across Nations”Room 409A

“Critical Craft: Voice of the Object “Room 408B

“Eccentric Images in the Early Modern World, Part II”Room 403B

“Interaction with Color Redux”Room 402B

“Modernity, Identity, and Propaganda”Room 501B

“Nineteenth-Century Critical Rivalries” (Society for Paragone Studies)Room 501A

“Palpable and Mute as a Globed Fruit and Dumb as Old Medallions to the Thumb “Room 410

“Recuperation”Room 406A

2:00PM

“Critical Race Art Histories in Germany, Scandinavia, and Central Europe” (Historians of German, Scandinavian, and Central European Art and Architecture HGSCEA)Room 501A

“Medieval Echo Chambers: Ideas in Space and Time” (International Center of Medieval Art ICMA)Room 403B

“Time, Space, Movement: Art between Perception, Imagination, and Fiction”Room 406A

4:00PM

“Critical Craft: What Craft Archives?”Room 408B

“Disappointment and Representation”Room 406A

“No Discipline”Room 408A

“Olfactory Art and the Political in an Age of Resistance “Room 503

“Surrealism’s Subversive Taxonomies”Room 501B

“Webs of Significance: Mapping Experience”403B

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