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Schedule

North America

Wednesday 02/21/2018

8:30am

“Against Algorithms (Or the Arts of Resistance in the Age of Quantification)”Room 409A

“Framing the Struggle: Early Twentieth-Century Women Modernists”Room 501C

“Now You See It, Now You Don’t: Materialism and Ephemeral Prints” (Association of Print Scholars APS)Room 406B

“Performing Authenticity”Room 505

“Practical Approaches and Collaborations: A Sessions to Share Ideas and Methods for the Art History Survey”Room 402A

“Sport, Fitness, and Wellbeing in Art History”Room 404B

“Theorizing Drawing: The Gap between Historical Accounts and Studio Practice”Room 406A

“Urban Interventions in Postwar California”Room 403B

“Viral Media and South Asia”Room 407

10:30am

“A Public Art Primer: Expanding Form and Content”Room 506

“Art/Data”Room 402B

“Made by Hand: The Revival of Drawing from Direct Observation”Room 406A

“State of the Art (History): Re-Examining the Exam” (Art Historians Interested in Pedagogy and Technology AHPT)Room 402A

2:00PM

“Circumventing Censorship in Global Eighteenth-Century Visual Culture”Room 501B

“Disciplinary Distinctions: Art History / Visual Studies / Studio Art” (Professional Practices Committee)Room 402A

“Locating LeWitt: Issues of Site, Space, and Movement”Room 409A

“Performance, Voice, and Embodiment: Ventriloquism in Contemporary Art”Room 505

“The Call to the Virtual: Virtual Reality as Artform, Discourse, Intervention”Room 402B

“The Right to Unmake”Room 406A

“Visualizing Genocide: Retelling Native American Survival through Art”Room 506

4:00PM

“Build It and They Will Come: How to Bring the Art World to Your Backwoods Outpost Town”Room 506

“Championing the Relevancy of Studio Art and Art History in the Twenty-First Century: Stories of Success and Advocacy” (Community College Professors of Art and Art History CCPAAH)Room 402A

“Educating Hybrid Practitioners”Room 406A

“Global Placemaking”Room 409B

“Imagining Constructivism’s Constellations: Alternative Histories of Cold War Cultural Production”Room 501A

“Objects of Change? Art, Liberalism, and Reform across the Eighteenth and Nineteenth Centuries”Room 501B

“Pacific Standard Time: LA/LA — Case Studies in Teaching from Exhibitions”Room 403B

“The Poetics and Politics of “Anonymous” Contemporary Craft”Room 408B

Thursday 02/22/2018

8:30am

“The Image of the American Indian in Nineteenth-Century Britain: New Critical Perspectives” (Historians of British Art HBA)Room 506

10:30am

“(Un)Common Intent: Performance Scores as Contractual Exchange”Room 501A

“Collaborating with Communities”Room 405

“Curating Difference: Race and Ethnicity in the US Museum” (Association for Critical Race Art History ACRAH)Room 408A

“Picturing Property: Real Estate in American Visual Culture, 1840–1920”Room 506

“Pop Art and Class, Part I”Room 409A

“The Postwar Environment in Global Context”Room 406B

2:00PM

“Alternative Beginnings: Towards an-Other History of Immersive Arts and Technologies” (New Media Caucus)Room 406B

“Intercontinental: Indigenous Artists of the Americas on the Contemporary Art Stage”Room 409B

“Mural, Mural on the Wall: Successes and Setbacks among Community Mural Projects, ca. 2008–Today “Room 405

“Naturally Hypernatural—Debates about Nature in Contemporary Art and Theory in the Age of Metamodernism”Room 402B

“The Collective as a Model for Practices in Diversity and Inclusion” (Committee on Diversity Practices)Room 501C

“Women Artists, 1800–1900” (Association of Historians of Nineteenth-Century Art AHNCA)Room 403B

4:00PM

“Permanence/Impermanence: Materiality in the Precolumbian World”Room 409B

“Save Our Children! That Sweet, Sweet Pie in Anita Bryant’s Face”Room 405

“The Audience as Producer, 1750 – 1900”Room 404B

“Touch and Tooling: A Social and Historical Perspective on Craft and Engagement in Contemporary Ceramics”Room 408B

6:00PM

“Medium Sensitivity and the Ingenuity of Translation”Room 402A

“Movements in Art and Activism: Radical Practice in California and Beyond”Room 405

“The Craft School Experience”Room 408B

Friday 02/23/2018

8:30am

“Irrational Identities: Art, Science, and Selves”Room 405

“Pop Art and Class, Part II”Room 501B

10:30am

“Climate Aesthetics in the Anthropocene”Room 405

“Digital Craft: A Historical Perspective”Room 408B

“Recipes for Revolution from Feminist Artists of Color” (Women’s Caucus for Art WCA)Room 501B

“Rethinking Regionalism: The Midwest in American Art History”Room 506

2:00PM

“#classroomssowhite: Strategies for Inclusive Teaching in Arts-Based Higher Education”Room 407

“Art and Criticism in the Anthropocene”Room 506

“Collaboration on Paper”Room 406A

“Hucksters or Connoisseurs?: The Role of Intermediary Agents in Art Economies”Room 404B

“Race, Ethnicity, and Cultural Appropriation in the History of Design”Room 402A

“Soundscape/Textscape”Room 410

“Teachable Monuments: Using Public Art to Spark Dialogue and Address Controversies” (Public Art Dialogue PAD)Room 402B

“The 1790s” (American Society for Eighteenth-Century Studies ASECS)Room 503

4:00PM

“‘Change the Joke, Slip the Yoke’ Twenty Years Later: African American Artists and ‘Negative’ Imagery”Room 408A

“Art and Reason: Art’s Possible Worlds”Room 405

“Drawing from the Inside Out Exhibitor Session: Simultaneous Contrast in Color Theory”Room 511A

“Place and Agency in Ancient American Murals and Monuments, Part I”Room 402B

“Sites of Micro-Community” (Society of Contemporary Art Historians SCAH)Room 404B

6:00PM

“A System of Systems: Cybernetics and Play in Postwar Art”Room 405

“Craft: Unsettling Hierarchies”Room 408B

Saturday 02/24/2018

8:30am

“Ekphrastic Image-Making in Early Modern Europe” Room 403B

“Politics and Power in the Americas: Transhistorical Perspectives”Room 405

10:30am

“Critical Craft: Voice of the Object “Room 408B

“Nineteenth-Century Critical Rivalries” (Society for Paragone Studies)Room 501A

“Palpable and Mute as a Globed Fruit and Dumb as Old Medallions to the Thumb “Room 410

“Recuperation”Room 406A

2:00PM

“A Second Talent: Art Historians Making Art, Part I”Room 410

“Critical Craft: Craft’s Evolving Relationship with Industry”Room 408B

4:00PM

“A Second Talent: Art Historians Making Art, Part II”Room 410

“Chican@ Art History: Interdisciplinary Foundations and New Directions” (US Latinx Art Forum USLAF)Room 404B

“Critical Craft: What Craft Archives?”Room 408B

“Olfactory Art and the Political in an Age of Resistance “Room 503

“Surrealism’s Subversive Taxonomies”Room 501B

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