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Schedule

Painting

Wednesday 02/21/2018

8:30am

“Ariadne’s Thread: Understanding Eurasia Through Textiles”Room 408B

“Changing Interactions: Japanese Artists and the West Coast, Part I”Room 503

“Framing the Struggle: Early Twentieth-Century Women Modernists”Room 501C

“Historicizing Loss in Early Modern Europe”Room 404A

“Imitation, Influence, and Invention in the Enlightenment” (Historians of Eighteenth-Century Art and Architecture HECAA)Room 501B

“International Abstraction after World War II: The US, France, Germany, and Beyond”Room 410

“Utopianism and Dystopianism in Soviet and Eastern European Art” (Society of Historians of East European Eurasian and Russian Art and Architecture SHERA)Room 501A

10:30am

“Ambivalences and Appropriations: Some American Artists”Room 501C

“Changing Interactions: Japanese Artists and the West Coast, Part II”Room 503

“The French Fragment: Revolution to Fin-de-Siècle Part I”Room 501B

“Travel, Diplomacy, and Networks of Global Exchange in the Early Modern Period, Part I”Room 404A

2:00PM

“‘Processi Italiani’: Examining Process in Postwar Italian Art, 1945–80” (Italian Art Society IAS)Room 410

“Alternative Animation: Inscriptions, Pedestals, and Object Caches in Premodern Japanese Buddhist Images” (Japan Art History Forum JAHF)Room 407

“Archives, Documents, Evidence”Room 409B

“Avant-Gardes and Varieties of Fascism, Part I”Room 501A

“Circumventing Censorship in Global Eighteenth-Century Visual Culture”Room 501B

“Performance, Voice, and Embodiment: Ventriloquism in Contemporary Art”Room 505

“Reconsidering Pacific Standard Time: LA/LA”Room 403B

“The Virtual Asian American Art Museum: Postwar Japanese American Art in Chicago” (Diasporic Asian Art Network DAAN)Room 503

4:00PM

“Art, Agency, and the Making of Identities at a Global Level, 1600-2000, Part II”Room 409A

“Icons of the Midwest: Cavaliere d’Arpino’s ‘Perseus Rescuing Andromeda’ at the Saint Louis Art Museum” (Midwest Art History Society MAHS)Room 406B

“New Approaches to Contemporary Asian Art”Room 410

“Travel, Diplomacy, and Networks of Global Exchange in the Early Modern Period, Part II”Room 503

Thursday 02/22/2018

8:30am

“British Abstraction after World War II”Room 407

“Envisioning Time in Early Modern China” Room 501C

“Italian Renaissance Art in the Age of Leonardo, Part I”Room 404A

“New Horizons: Contemporary Pacific Arts, Digital Archives, and Colonial Boundaries” (Pacific Arts Association PAA)Room 406B

“The Image of the American Indian in Nineteenth-Century Britain: New Critical Perspectives” (Historians of British Art HBA)Room 506

10:30am

“Artistic Afterlives, or Rethinking Nachleben”Room 404A

“Borders and Breakthroughs: The Afterlife of PST LA/LA, Part II”Room 403B

“International Art Exhibitions of the 1980s: The Festivals of India”Room 402A

“International Image Interoperability Framework Use Cases for Enhanced Research and Collection Engagement”Room 404B

“Materiality and Metaphor: The Uses of Gold in Asian Art”Room 407

“Picturing Property: Real Estate in American Visual Culture, 1840–1920”Room 506

“Pop Art and Class, Part I”Room 409A

“Transforming Communities through the Arts” (National Council of Arts Administrators NCAA)Room 408B

2:00PM

“Art of Haiti, 1940s to the Present, Part I”Room 407

“Carlo Borromeo and the Arts”Room 404A

“Intercontinental: Indigenous Artists of the Americas on the Contemporary Art Stage”Room 409B

“Mural, Mural on the Wall: Successes and Setbacks among Community Mural Projects, ca. 2008–Today “Room 405

“Object – Event – Performance: Art, Materiality, and Continuity since the 1960s”Room 501A

“Women Artists, 1800–1900” (Association of Historians of Nineteenth-Century Art AHNCA)Room 403B

4:00PM

“Art of Haiti, 1940s to the Present, Part II”Room 407

“Intimate Geographies”Room 410

“The Audience as Producer, 1750 – 1900”Room 404B

“The Renaissance Contribution to the Formation of “Islamic Art” “Room 503

6:00PM

“Medium Sensitivity and the Ingenuity of Translation”Room 402A

“Teaching and Writing the Art Histories of Latin American Los Angeles” (Art Historians of Southern California AHSC)Room 403B

Friday 02/23/2018

8:30am

“Circuits of Belonging: Rerouting Blackness in the Imaginary”Room 408A

“Italian Renaissance Art in the Age of Leonardo, Part II “Room 410

“Pop Art and Class, Part II”Room 501B

“Reorganizing the Art World: Postwar and Contemporary Collectives in Asia”Room 501C

10:30am

“Art in Middle Eastern Diplomacy, Part I: Politics and Museums”Room 503

“Avant-Gardes and Varieties of Fascism, Part II”Room 407

“Dialoguing with the Early Modern Netherlands”Room 505

“West Coast Artists and the Catalogue Raisonné” (Catalogue Raisonné Scholars Association CRSA)Room 402B

“Women’s Liberation and the Persistence of Painting”Room 409B

2:00PM

“Art on the Nature of Data about Nature”Room 501A

4:00PM

“Art in Middle Eastern Diplomacy Part II: Artists”Room 503

“Art in the Age of Global Martial Law”Room 406B

“The Park Place Group: Another Minimalism”Room 410

6:00PM

“African Americans and US Law in Visual Culture”Room 408A

“Place and Agency in Ancient American Murals and Monuments, Part II “Room 402B

Saturday 02/24/2018

8:30am

“Art Nouveau: Symbolism of Beauty and Novelty” (Association for Textual Scholarship in Art History ATSAH)Room 501A

“De-Centering the “Global Renaissance”: Encounters with Asia and the Pacific Rim” (Renaissance Society of America RSA)Room 404A

“Eccentric Images in the Early Modern World, Part I’Room 404B

“Ekphrastic Image-Making in Early Modern Europe” Room 403B

10:30am

“Art: Creative Care”Room 406B

“Eccentric Images in the Early Modern World, Part II”Room 403B

“Interaction with Color Redux”Room 402B

“Nineteenth-Century Critical Rivalries” (Society for Paragone Studies)Room 501A

2:00PM

“Fashion, Costume, and Consumer Culture in Iberia and Latin America: A Sessions in Honor of Gridley McKim-Smith” (American Society for Hispanic Art Historical Studies ASHAHS)Room 405

“Pop América: Contesting Freedom, 1965–75”Room 404B

“The Exhibition as Critical Practice” (Southeastern College Art Conference SECAC)Room 407

4:00PM

“Structure, Texture, Facture in Avant-Garde Art”Room 501A

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