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Schedule

Social History

Wednesday 02/21/2018

8:30am

“Sport, Fitness, and Wellbeing in Art History”Room 404B

“Utopianism and Dystopianism in Soviet and Eastern European Art” (Society of Historians of East European Eurasian and Russian Art and Architecture SHERA)Room 501A

“Viral Media and South Asia”Room 407

10:30am

“Alternative Visions: The Photograph, Self-Representation, and Fact in Contemporary Art of the United States”Room 505

“Ambivalences and Appropriations: Some American Artists”Room 501C

“Art and Power: Methodological Case Studies”Room 409B

“Localizing History through Donor Portraits: Images of Donors and Ritual Scenes in Early Medieval South Asia”Room 407

“No Experiments: Art, Culture, and Politics in the Federal Republic of Germany, 1949–89”Room 410

“Regionalism in the Global Era”Room 405

“Socialist Realism Reconsidered: New Readings of Russian Cultural Policy 1920–1930s”Room 501A

2:00PM

“‘Processi Italiani’: Examining Process in Postwar Italian Art, 1945–80” (Italian Art Society IAS)Room 410

“Circumventing Censorship in Global Eighteenth-Century Visual Culture”Room 501B

“Dissent and Resistance: Responses to Authoritarianism in Ancient Art”Room 408A

“Visualizing Genocide: Retelling Native American Survival through Art”Room 506

4:00PM

“All in the Family: Northern European Artistic Dynasties, ca. 1350–1750” (Historians of Netherlandish Art HNA)Room 404A

“Breaking Down Barriers: The Visual Culture of the Border in Late Antiquity”Room 408A

Thursday 02/22/2018

8:30am

“British Abstraction after World War II”Room 407

“How Many Ways to Miss the Mark? Lucio Fontana between Formalism and Historicity “Room 409A

“Learning from Elsewhere: Critical Arts Pedagogies in the University”Room 406A

10:30am

“Borders and Breakthroughs: The Afterlife of PST LA/LA, Part II”Room 403B

“Collaborating with Communities”Room 405

“Pop Art and Class, Part I”Room 409A

“Transforming Communities through the Arts” (National Council of Arts Administrators NCAA)Room 408B

Resistance, Resilience, and Refuge: Sustaining a Contemporary Creative PracticeRoom 515B

2:00PM

“’68 and After: Art and Political Engagement in Europe” (European Postwar and Contemporary Art Forum EPCAF)Room 409A

“Islamic Art Circa 1900” (Association for Modern and Contemporary Art of the Arab World, Iran, and Turkey AMCA)Room 503

“Mural, Mural on the Wall: Successes and Setbacks among Community Mural Projects, ca. 2008–Today “Room 405

“My Hands are (Un)tied: Craft in an Anxiety Age”Room 408B

“Restaging Exhibitions: Past, Present, Futures?, Part I: Curators in the Act of Restaging”Room 408A

“The Collective as a Model for Practices in Diversity and Inclusion” (Committee on Diversity Practices)Room 501C

4:00PM

“A Room of One’s Own: National Models for Creating Artists Spaces and Artists Housing”Room 403B

“Save Our Children! That Sweet, Sweet Pie in Anita Bryant’s Face”Room 405

“The Audience as Producer, 1750 – 1900”Room 404B

“Touch and Tooling: A Social and Historical Perspective on Craft and Engagement in Contemporary Ceramics”Room 408B

6:00PM

“Let’s Dance, But Don’t Call Me Baby: Dialogue, Empathy, and Inclusion in the Classroom and Beyond” (Foundations in Art: Theory and Education FATE)Room 409A

“Teaching and Writing the Art Histories of Latin American Los Angeles” (Art Historians of Southern California AHSC)Room 403B

Friday 02/23/2018

8:30am

“Alt-Aesthetics: The Alt-Right and the New Turn in Appropriation”Room 404B

“Circuits of Belonging: Rerouting Blackness in the Imaginary”Room 408A

“Florence, Berlin, and Beyond: Social Network and the Late Nineteenth-Century Art Market, Part I”Room 404A

“Pop Art and Class, Part II”Room 501B

“Remote Sensing: The American West in Modernity and After”Room 506

“Reorganizing the Art World: Postwar and Contemporary Collectives in Asia”Room 501C

10:30am

“Art in Middle Eastern Diplomacy, Part I: Politics and Museums”Room 503

“Avant-Gardes and Varieties of Fascism, Part II”Room 407

“Florence, Berlin, and Beyond: Social Network and the Late Nineteenth-Century Art Market, Part II”Room 404A

2:00PM

“Art and the Cold War in East Asia: The Long 1970s”Room 409B

“Shifting Temporalities in Early Modern Rome”Room 505

“Teachable Monuments: Using Public Art to Spark Dialogue and Address Controversies” (Public Art Dialogue PAD)Room 402B

“Women Artists, Social Issues, and the Resistance” (Coalition of Women in the Arts Organizations CWAO)Room 501B

4:00PM

“Art in Middle Eastern Diplomacy Part II: Artists”Room 503

“Provenance Research as a Method of Connoisseurship?”Room 506

“Sites of Micro-Community” (Society of Contemporary Art Historians SCAH)Room 404B

“Taking it to the Streets: The Visual and Material Culture of Women’s Marches” (Committee on Women in the Arts)Room 501B

Molds as Cultural and Material MediatorsRoom 409A

6:00PM

“African Americans and US Law in Visual Culture”Room 408A

Saturday 02/24/2018

8:30am

“Abstraction in Africa: Origins, Meaning, Function” (Arts Council of the African Studies Association ACASA)Room 409A

“Critical Craft: Decolonizing Craft”Room 408B

“Ekphrastic Image-Making in Early Modern Europe” Room 403B

“How We Practice”Room 402B

“Politics and Power in the Americas: Transhistorical Perspectives”Room 405

10:30am

“Art: Creative Care”Room 406B

“Design for Participation” (Committee on Design)Room 402A

“Modernity, Identity, and Propaganda”Room 501B

“Palpable and Mute as a Globed Fruit and Dumb as Old Medallions to the Thumb “Room 410

“Recuperation”Room 406A

“What Do We Do Now? Art and Politics circa 1970 and Now”Room 503

2:00PM

“Medieval Echo Chambers: Ideas in Space and Time” (International Center of Medieval Art ICMA)Room 403B

“Mobilities: Italy and the New World”Room 404A

“Pop América: Contesting Freedom, 1965–75”Room 404B

“The Exhibition as Critical Practice” (Southeastern College Art Conference SECAC)Room 407

“Time, Space, Movement: Art between Perception, Imagination, and Fiction”Room 406A

4:00PM

“Disappointment and Representation”Room 406A

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