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Schedule

Art Criticism

Wednesday 02/21/2018

8:30am

“International Abstraction after World War II: The US, France, Germany, and Beyond”Room 410

10:30am

“Socialist Realism Reconsidered: New Readings of Russian Cultural Policy 1920–1930s”Room 501A

2:00PM

“Reconsidering Pacific Standard Time: LA/LA”Room 403B

“The Tool: Cultural Expressions, Histories, Rhetoric, and Agency”Room 406B

Thursday 02/22/2018

8:30am

“How Many Ways to Miss the Mark? Lucio Fontana between Formalism and Historicity “Room 409A

“Rethinking the Grand Narratives of Art History in the Museum Environment” (International Committee)Room 408A

10:30am

“Pop Art and Class, Part I”Room 409A

2:00PM

“Energy and Photography, Part I”Room 410

4:00PM

“Art of Haiti, 1940s to the Present, Part II”Room 407

6:00PM

“Medium Sensitivity and the Ingenuity of Translation”Room 402A

“Rethinking Visual Arts Minors: Innovative Curricula for Visual Intelligence”Room 406B

“Teaching and Writing the Art Histories of Latin American Los Angeles” (Art Historians of Southern California AHSC)Room 403B

Friday 02/23/2018

8:30am

“Autonomy and the 1960s”Room 409B

“Italian Renaissance Art in the Age of Leonardo, Part II “Room 410

“Pop Art and Class, Part II”Room 501B

10:30am

“Climate Aesthetics in the Anthropocene”Room 405

“Energy and Photography, Part II”Room 403B

“Rethinking Regionalism: The Midwest in American Art History”Room 506

2:00PM

“Art and Criticism in the Anthropocene”Room 506

“Art and the Cold War in East Asia: The Long 1970s”Room 409B

4:00PM

“‘Change the Joke, Slip the Yoke’ Twenty Years Later: African American Artists and ‘Negative’ Imagery”Room 408A

“Agnotology of Contemporary Middle Eastern Art”Room 409B

“Art in the Age of Global Martial Law”Room 406B

“Feminist Art in Response to the State” (The Feminist Art Project TFAP)Room 404A

“Provenance Research as a Method of Connoisseurship?”Room 506

Saturday 02/24/2018

8:30am

“Art Nouveau: Symbolism of Beauty and Novelty” (Association for Textual Scholarship in Art History ATSAH)Room 501A

“Ekphrastic Image-Making in Early Modern Europe” Room 403B

10:30am

“Nineteenth-Century Critical Rivalries” (Society for Paragone Studies)Room 501A

“Palpable and Mute as a Globed Fruit and Dumb as Old Medallions to the Thumb “Room 410

“Recuperation”Room 406A

“The Art of Image Description” (The Art of Image Description)Room 408A

2:00PM

“Art Journalism and Political Crisis”Room 408A

“The Exhibition as Critical Practice” (Southeastern College Art Conference SECAC)Room 407

4:00PM

“Art History as Anti-Oppression Work”Room 405

“Fear of the Unknown” (Mid-America College Art Association MACAA)Room 402B

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