Registration
Individual Registration
Institutional Registration
Press Registration
Attendee Guidelines
Travel
Travel Discounts
Hotels
Getting Around
Schedule
Careers
Professional-Development Workshops
SEPC Lounge
Career Services for Job Seekers
Career Services for Employers
Mentoring and Portfolio Review
Exhibit Halls
Cultural and Academic Network Hall
Book and Trade Fair
Sponsorship
Sponsorship
Advertising
Sponsors
Resources
Free Annual Conference Mobile App
Maps and Forms
Museums and Galleries
Conference Services
Tips for First-Time Attendees
Work at the 2018 Conference
Information for Speakers and Chairs
CAA Contacts
Travel Grants
Menu
CAA 106th Annual Conference, New York, February 21-24, 2018
LA Convention Center
February 21–24, 2018
CAA
CAA Commons
Registration
Individual Registration
Institutional Registration
Press Registration
Attendee Guidelines
Travel
Travel Discounts
Hotels
Getting Around
Schedule
Careers
Professional-Development Workshops
SEPC Lounge
Career Services for Job Seekers
Career Services for Employers
Mentoring and Portfolio Review
Exhibit Halls
Cultural and Academic Network Hall
Book and Trade Fair
Sponsorship
Sponsorship
Advertising
Sponsors
Resources
Free Annual Conference Mobile App
Maps and Forms
Museums and Galleries
Conference Services
Tips for First-Time Attendees
Work at the 2018 Conference
Information for Speakers and Chairs
CAA Contacts
Travel Grants
Register Now
Join CAA
Schedule
Early Modern (1450–1800)
Filter by Program Type
Full Schedule
Sessions
Distinguished Artist Interviews
Affiliated Society Sessions
Memorial Sessions
Regular Sessions
Composed Sessions
Critical Craft Sessions
ARTspace Programs
Media Lounge Programs
Distinguished Scholar Session
Exhibitor Sessions
Poster Sessions
Events
Idea Exchange
Key Conversations
Memorial Gathering
Midday Panels
Special Events
Receptions and Reunions
Professional Development
Student and Emerging Professionals Committee Programs
Workshops
CAA Booth
Meetings
Affiliated Society Meetings
CAA and Committee Meetings
Filter by Subject
Select a subject
Mediterranean
North America
Twenty-First Century
Interdisciplinary
Feminisms
Queer/Gay
Race
Europe
Seventeenth Century
Modern (1800-present)
Human Body
New Media
Science and Art
Methodologies
Theory
Visual Studies
Public Art (history and studio)
Public Practice
Creativity
Political
Urbanism/Urban Planning
Aesthetics
Multidisciplinary
Artistic Practice
Materiality of Art
Art Education
Art History
Pedagogy
Studio Practice
Twentieth Century
Performance Art/4D
Time-Based Media
Radical
Contemporary
Design
Asia
Middle East
Sixth to Tenth Century
Eleventh to Fourteenth Century
Early Modern (1450–1800)
Drawing
Fibers/Textiles
Painting
Decorative
Design (graphic)
Fashion
Byzantine
Christian
Craft
Comparative
Material Culture
Architecture
Japan
United States of America
Ceramics
Asian Diaspora
World
Modernism
Sculpture
Gender
Eastern Europe
Great Britain
Northern Europe
Southern Europe and Mediterranean
Western and Central Europe
Photography (history and studio)
Printmaking
Works on Paper
Abstract Expressionism
Abstraction
Art Criticism
Curatorship
Publishing
Intermedia
Multimedia
Conceptual
Graffiti/Street Art
South Asia
Social History
Art (studio)
Arts Administration
Funding/Private Funding
Installation (history and studio)
Latin America
Postmodernism
Historiography
Figurative/Human Body
Landscape
Nineteenth Century
African American
Collecting/Patronage Studies
Romanticism
Disability
ModernismAesthetics
Latinx
Curatorial Studies
Religion
Medieval
Folk
Museum Education
Soviet Union
Artist’s Books
Metals
Baroque
Native American/First Nations
Northern Renaissance
Renaissance
Architectural History
Design History
Western Asia
Economic
Video (history and studio)
Digital Humanities
Surrealism
Digital Media (history and studio)
Asian American
Digital Scholarship/History
Library and Archival Studies
Indigenous Peoples
Colonial Latin American
Africa
Professional Development
Oceania/Australia
Sexualities
Art Therapy
Sixteenth Century
Latin American
Eighteenth Century
Canada
North Africa
Russia
Design (object)
Southeast Asia
China-Imperial (up to 1911)
Before 1500 BCE
Environmental
Historic Preservation
Ancient Near Eastern
Wood
Museum Practice
Photography
Words/Writings
Cosmology
Fifteenth Century
Internet/Web-Based Media
Art Marketing
Islamic
Sound
Art Law
Impressionism
Neoclassicism
Mexico
Ancient Americas
China-Modern (post-1911)
Outsider
Vernacular
Central America
Conservation
Caribbean
Class
Pop
Film (history and studio)
African Diaspora
Spirituality
South America
Art Nouveau
Edit Form Data
1500 to 500 BCE
500 BCE to Fifth Century
Ancient Greek
Foundations
Animation (history and studio)
Cartoon
Food
Glass
Architectural Design
Design (industrial)
Interior Design
Books for Artists
Ancient Roman
West Africa
Near Eastern
Dada
Outsider Political
African American Political
Africa Asia
Collecting/Patronage Studies Digital Humanities
Edit Form Data Art Education
Art Librarianship
Politics
Visual Culture
Aesthetics Conservation
Edit Form Data Design History
Contemporary Modernism
Poltical
Creativity Design (graphic)
Gothic
Sexuality
Creative
Politcal
Wednesday
02/21/2018
8:30am
“Ariadne’s Thread: Understanding Eurasia Through Textiles”
Room 408B
“Historicizing Loss in Early Modern Europe”
Room 404A
“Imitation, Influence, and Invention in the Enlightenment” (Historians of Eighteenth-Century Art and Architecture HECAA)
Room 501B
“Materials and Techniques in the Cultural Sphere”
Room 409B
“Now You See It, Now You Don’t: Materialism and Ephemeral Prints” (Association of Print Scholars APS)
Room 406B
“Viral Media and South Asia”
Room 407
10:30am
“Art and Power: Methodological Case Studies”
Room 409B
“The Elements and Elementality in Art of the Premodern World”
Room 408A
“Travel, Diplomacy, and Networks of Global Exchange in the Early Modern Period, Part I”
Room 404A
2:00PM
“Archives, Documents, Evidence”
Room 409B
“Art, Agency, and the Making of Identities at a Global Level, 1600–2000, Part I”
Room 405
“The Tool: Cultural Expressions, Histories, Rhetoric, and Agency”
Room 406B
“Unruly Women in Early Modern Art and Material Culture” (Society for the Study of Early Modern Women SSEMW)
Room 404A
“Visualizing Genocide: Retelling Native American Survival through Art”
Room 506
4:00PM
“All in the Family: Northern European Artistic Dynasties, ca. 1350–1750” (Historians of Netherlandish Art HNA)
Room 404A
“Art, Agency, and the Making of Identities at a Global Level, 1600-2000, Part II”
Room 409A
“Travel, Diplomacy, and Networks of Global Exchange in the Early Modern Period, Part II”
Room 503
Thursday
02/22/2018
8:30am
“Art Historical Ecology: Asian Perspectives”
Room 501B
“Italian Renaissance Art in the Age of Leonardo, Part I”
Room 404A
“Projecting the Body: Beyond the Ocular”
Room 501A
“Reflective Surfaces in Medieval and Early Modern Art”
Room 505
“Woven Spaces: Building with Textile in Islamic Architecture”
Room 503
10:30am
“Artistic Afterlives, or Rethinking Nachleben”
Room 404A
“Beyond Model and Autonomy: Reconfiguring Drawing, ca. 1350-1500”
Room 505
“Borders and Breakthroughs: The Afterlife of PST LA/LA, Part II”
Room 403B
“Calligraphy’s Visuality in China”
Room 501C
“Open Sessions for Emerging Scholars of Latin American Art” (Association for Latin American Art ALAA)
Room 402B
4:00PM
“The Renaissance Contribution to the Formation of “Islamic Art” “
Room 503
6:00PM
“Medium Sensitivity and the Ingenuity of Translation”
Room 402A
“Teaching and Writing the Art Histories of Latin American Los Angeles” (Art Historians of Southern California AHSC)
Room 403B
Friday
02/23/2018
8:30am
“Florence, Berlin, and Beyond: Social Network and the Late Nineteenth-Century Art Market, Part I”
Room 404A
10:30am
“Dialoguing with the Early Modern Netherlands”
Room 505
“Digital Surrogates: The Reproduction and (re)Presentation of Art and Cultural Heritage”
Room 409A
“Florence, Berlin, and Beyond: Social Network and the Late Nineteenth-Century Art Market, Part II”
Room 404A
2:00PM
“Collaboration on Paper”
Room 406A
“Shifting Temporalities in Early Modern Rome”
Room 505
“Working Out of Medium”
Room 409A
4:00PM
“Provenance Research as a Method of Connoisseurship?”
Room 506
Molds as Cultural and Material Mediators
Room 409A
Saturday
02/24/2018
8:30am
“Abstraction in Africa: Origins, Meaning, Function” (Arts Council of the African Studies Association ACASA)
Room 409A
“De-Centering the “Global Renaissance”: Encounters with Asia and the Pacific Rim” (Renaissance Society of America RSA)
Room 404A
“Eccentric Images in the Early Modern World, Part I’
Room 404B
“Ekphrastic Image-Making in Early Modern Europe”
Room 403B
10:30am
“Eccentric Images in the Early Modern World, Part II”
Room 403B
“Materials, Makers, and Commissions: Moving Objects between Asia, Europe, and the Americas during Early Modern Globalization”
Room 404A
2:00PM
“Critical Race Art Histories in Germany, Scandinavia, and Central Europe” (Historians of German, Scandinavian, and Central European Art and Architecture HGSCEA)
Room 501A
“Fashion, Costume, and Consumer Culture in Iberia and Latin America: A Sessions in Honor of Gridley McKim-Smith” (American Society for Hispanic Art Historical Studies ASHAHS)
Room 405
“Mobilities: Italy and the New World”
Room 404A
Jump to the top of the page
right collumn
Register Now
Join CAA