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CAA 106th Annual Conference, New York, February 21-24, 2018
LA Convention Center
February 21–24, 2018
CAA
CAA Commons
Registration
Individual Registration
Institutional Registration
Press Registration
Attendee Guidelines
Travel
Travel Discounts
Hotels
Getting Around
Schedule
Careers
Professional-Development Workshops
SEPC Lounge
Career Services for Job Seekers
Career Services for Employers
Mentoring and Portfolio Review
Exhibit Halls
Cultural and Academic Network Hall
Book and Trade Fair
Sponsorship
Sponsorship
Advertising
Sponsors
Resources
Free Annual Conference Mobile App
Maps and Forms
Museums and Galleries
Conference Services
Tips for First-Time Attendees
Work at the 2018 Conference
Information for Speakers and Chairs
CAA Contacts
Travel Grants
Register Now
Join CAA
Schedule
Latin America
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Wednesday
02/21/2018
8:30am
“Historicizing Loss in Early Modern Europe”
Room 404A
2:00PM
“Reconsidering Pacific Standard Time: LA/LA”
Room 403B
4:00PM
“Art, Agency, and the Making of Identities at a Global Level, 1600-2000, Part II”
Room 409A
“Imagining Constructivism’s Constellations: Alternative Histories of Cold War Cultural Production”
Room 501A
“Pacific Standard Time: LA/LA — Case Studies in Teaching from Exhibitions”
Room 403B
Thursday
02/22/2018
8:30am
“Borders and Breakthroughs: The Afterlife of PST LA/LA, Part I”
Room 403B
“How Many Ways to Miss the Mark? Lucio Fontana between Formalism and Historicity “
Room 409A
10:30am
“Borders and Breakthroughs: The Afterlife of PST LA/LA, Part II”
Room 403B
“Curating Difference: Race and Ethnicity in the US Museum” (Association for Critical Race Art History ACRAH)
Room 408A
“Open Sessions for Emerging Scholars of Latin American Art” (Association for Latin American Art ALAA)
Room 402B
“Pop Art and Class, Part I”
Room 409A
“The Aesthetics of Intervention: Federal Governments and Native Art across North America”
Room 409B
2:00PM
“Alternative Beginnings: Towards an-Other History of Immersive Arts and Technologies” (New Media Caucus)
Room 406B
“Art of Haiti, 1940s to the Present, Part I”
Room 407
“Biennials of the Global South: Charting Transnational Networks of Exchange”
Room 402A
“Women Artists, 1800–1900” (Association of Historians of Nineteenth-Century Art AHNCA)
Room 403B
4:00PM
“Permanence/Impermanence: Materiality in the Precolumbian World”
Room 409B
6:00PM
“Teaching and Writing the Art Histories of Latin American Los Angeles” (Art Historians of Southern California AHSC)
Room 403B
Friday
02/23/2018
8:30am
“Autonomy and the 1960s”
Room 409B
“Global Conversations – Border Crossings: The Migration of Art, People, and Ideas” (CAA-Getty International Program and International Committee)
Room 403B
“Pop Art and Class, Part II”
Room 501B
“Re-staging Exhibitions: Past, Present, Futures?, Part II: Methodologies, Theories, Conceptual Practices”
Room 501A
2:00PM
“Voices to Be Heard: Art in the Face of Alienation”
Room 406B
4:00PM
“Sites of Micro-Community” (Society of Contemporary Art Historians SCAH)
Room 404B
6:00PM
“Destabilizing the Geographic in Modern and Contemporary Art”
Room 406B
Saturday
02/24/2018
10:30am
“Art: Creative Care”
Room 406B
“Experiments with Technology in Latin American Art: From the 1960s to the 1980s”
Room 404B
“Paper Geographies: Printing Spaces in the Colonial Americas”
Room 405
2:00PM
“Fashion, Costume, and Consumer Culture in Iberia and Latin America: A Sessions in Honor of Gridley McKim-Smith” (American Society for Hispanic Art Historical Studies ASHAHS)
Room 405
“Pop América: Contesting Freedom, 1965–75”
Room 404B
4:00PM
“Critical Craft: What Craft Archives?”
Room 408B
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