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CAA 106th Annual Conference, New York, February 21-24, 2018
LA Convention Center
February 21–24, 2018
CAA
CAA Commons
Registration
Individual Registration
Institutional Registration
Press Registration
Attendee Guidelines
Travel
Travel Discounts
Hotels
Getting Around
Schedule
Careers
Professional-Development Workshops
SEPC Lounge
Career Services for Job Seekers
Career Services for Employers
Mentoring and Portfolio Review
Exhibit Halls
Cultural and Academic Network Hall
Book and Trade Fair
Sponsorship
Sponsorship
Advertising
Sponsors
Resources
Free Annual Conference Mobile App
Maps and Forms
Museums and Galleries
Conference Services
Tips for First-Time Attendees
Work at the 2018 Conference
Information for Speakers and Chairs
CAA Contacts
Travel Grants
Register Now
Join CAA
Schedule
Modern (1800-present)
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Visual Studies
Public Art (history and studio)
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Creativity
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1500 to 500 BCE
500 BCE to Fifth Century
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Wednesday
02/21/2018
8:30am
“Against Algorithms (Or the Arts of Resistance in the Age of Quantification)”
Room 409A
“Theorizing Drawing: The Gap between Historical Accounts and Studio Practice”
Room 406A
“Viral Media and South Asia”
Room 407
10:30am
“Art/Data”
Room 402B
“No Experiments: Art, Culture, and Politics in the Federal Republic of Germany, 1949–89”
Room 410
2:00PM
“Art, Agency, and the Making of Identities at a Global Level, 1600–2000, Part I”
Room 405
“Reconsidering Pacific Standard Time: LA/LA”
Room 403B
“The Tool: Cultural Expressions, Histories, Rhetoric, and Agency”
Room 406B
“The Virtual Asian American Art Museum: Postwar Japanese American Art in Chicago” (Diasporic Asian Art Network DAAN)
Room 503
“Visualizing Genocide: Retelling Native American Survival through Art”
Room 506
4:00PM
“Art, Agency, and the Making of Identities at a Global Level, 1600-2000, Part II”
Room 409A
Thursday
02/22/2018
10:30am
“(Un)Common Intent: Performance Scores as Contractual Exchange”
Room 501A
“Artistic Afterlives, or Rethinking Nachleben”
Room 404A
“Borders and Breakthroughs: The Afterlife of PST LA/LA, Part II”
Room 403B
“Calligraphy’s Visuality in China”
Room 501C
“Curating Difference: Race and Ethnicity in the US Museum” (Association for Critical Race Art History ACRAH)
Room 408A
“International Art Exhibitions of the 1980s: The Festivals of India”
Room 402A
“International Image Interoperability Framework Use Cases for Enhanced Research and Collection Engagement”
Room 404B
“Open Sessions for Emerging Scholars of Latin American Art” (Association for Latin American Art ALAA)
Room 402B
“Picturing Property: Real Estate in American Visual Culture, 1840–1920”
Room 506
“The “Three Empires” Redux: Islamic Interregionality in the Age of Modernity” (Historians of Islamic Art Association HIAA)
Room 503
2:00PM
“Energy and Photography, Part I”
Room 410
“Islamic Art Circa 1900” (Association for Modern and Contemporary Art of the Arab World, Iran, and Turkey AMCA)
Room 503
4:00PM
“Collecting, Cutting, and Collaging”
Room 406B
“The Audience as Producer, 1750 – 1900”
Room 404B
6:00PM
“Medium Sensitivity and the Ingenuity of Translation”
Room 402A
“Teaching and Writing the Art Histories of Latin American Los Angeles” (Art Historians of Southern California AHSC)
Room 403B
Friday
02/23/2018
8:30am
“Autonomy and the 1960s”
Room 409B
“Design and Neoliberalism: The Economics and Politics of “Total Design” across the Disciplines” (Design Studies Forum DSF)
Room 402A
“Irrational Identities: Art, Science, and Selves”
Room 405
“Remote Sensing: The American West in Modernity and After”
Room 506
“Reorganizing the Art World: Postwar and Contemporary Collectives in Asia”
Room 501C
“Warp, Weft, World: Postwar Textiles and Transcultural Form”
Room 408B
10:30am
“Energy and Photography, Part II”
Room 403B
2:00PM
“A Critical Conversation on Affect Theory, Neuroscience, and Art-Science Collaborations”
Room 405
“Art on the Nature of Data about Nature”
Room 501A
“French North Africa and the Architecture of Counterinsurgency”
Room 501C
“Race, Ethnicity, and Cultural Appropriation in the History of Design”
Room 402A
4:00PM
“Feminist Art in Response to the State” (The Feminist Art Project TFAP)
Room 404A
“Provenance Research as a Method of Connoisseurship?”
Room 506
“Taking it to the Streets: The Visual and Material Culture of Women’s Marches” (Committee on Women in the Arts)
Room 501B
Molds as Cultural and Material Mediators
Room 409A
6:00PM
“Destabilizing the Geographic in Modern and Contemporary Art”
Room 406B
Saturday
02/24/2018
8:30am
“Abstraction in Africa: Origins, Meaning, Function” (Arts Council of the African Studies Association ACASA)
Room 409A
“Art Nouveau: Symbolism of Beauty and Novelty” (Association for Textual Scholarship in Art History ATSAH)
Room 501A
“Inter-Arts Exchange as Modernist Method, circa 1900”
Room 501B
10:30am
“Art: Creative Care”
Room 406B
“Critical Craft: Voice of the Object “
Room 408B
2:00PM
“Critical Craft: Craft’s Evolving Relationship with Industry”
Room 408B
“Critical Race Art Histories in Germany, Scandinavia, and Central Europe” (Historians of German, Scandinavian, and Central European Art and Architecture HGSCEA)
Room 501A
“Fashion, Costume, and Consumer Culture in Iberia and Latin America: A Sessions in Honor of Gridley McKim-Smith” (American Society for Hispanic Art Historical Studies ASHAHS)
Room 405
4:00PM
“Critical Craft: What Craft Archives?”
Room 408B
“Surrealism’s Subversive Taxonomies”
Room 501B
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