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Schedule

United States of America

Wednesday 02/21/2018

8:30am

“Changing Interactions: Japanese Artists and the West Coast, Part I”Room 503

“International Abstraction after World War II: The US, France, Germany, and Beyond”Room 410

“Site Specific, Collaborative, and Interactive Platforms within Locative Media”Room 402B

10:30am

“Aesthetics and Control: Artists Respond to the Surveillance Apparatus”Room 409A

“Alternative Visions: The Photograph, Self-Representation, and Fact in Contemporary Art of the United States”Room 505

“Ambivalences and Appropriations: Some American Artists”Room 501C

“Changing Interactions: Japanese Artists and the West Coast, Part II”Room 503

“Disability Aesthetics and Choreopolitics”Room 404B

“LA/LX: Queer and Latinx in Los Angeles” (Queer Caucus for Art QCA)Room 403B

“Made by Hand: The Revival of Drawing from Direct Observation”Room 406A

“Regionalism in the Global Era”Room 405

2:00PM

“Disciplinary Distinctions: Art History / Visual Studies / Studio Art” (Professional Practices Committee)Room 402A

“Locating LeWitt: Issues of Site, Space, and Movement”Room 409A

“Performance, Voice, and Embodiment: Ventriloquism in Contemporary Art”Room 505

“Reconsidering Pacific Standard Time: LA/LA”Room 403B

“The Virtual Asian American Art Museum: Postwar Japanese American Art in Chicago” (Diasporic Asian Art Network DAAN)Room 503

“Visualizing Genocide: Retelling Native American Survival through Art”Room 506

4:00PM

“Build It and They Will Come: How to Bring the Art World to Your Backwoods Outpost Town”Room 506

“Cripping the Curriculum: Pedagogical Practices and Strategies when Teaching Disability in the Arts”Room 404B

“Group Encounters: Rethinking the Social in and through Performance”Room 505

“Pacific Standard Time: LA/LA — Case Studies in Teaching from Exhibitions”Room 403B

Thursday 02/22/2018

8:30am

“Activist Art Practices in Institutions”Room 405

“Borders and Breakthroughs: The Afterlife of PST LA/LA, Part I”Room 403B

“British Abstraction after World War II”Room 407

“Craft and Resistance”Room 408B

“How Many Ways to Miss the Mark? Lucio Fontana between Formalism and Historicity “Room 409A

“Learning from Elsewhere: Critical Arts Pedagogies in the University”Room 406A

“Projecting the Body: Beyond the Ocular”Room 501A

10:30am

“(Un)Common Intent: Performance Scores as Contractual Exchange”Room 501A

“Borders and Breakthroughs: The Afterlife of PST LA/LA, Part II”Room 403B

“Curating Difference: Race and Ethnicity in the US Museum” (Association for Critical Race Art History ACRAH)Room 408A

“International Art Exhibitions of the 1980s: The Festivals of India”Room 402A

“International Image Interoperability Framework Use Cases for Enhanced Research and Collection Engagement”Room 404B

“Picturing Property: Real Estate in American Visual Culture, 1840–1920”Room 506

“The Aesthetics of Intervention: Federal Governments and Native Art across North America”Room 409B

“Transforming Communities through the Arts” (National Council of Arts Administrators NCAA)Room 408B

2:00PM

“Elements of an Artist’s Legacy”Room 406A

“Imperial Islands: Vision and Experience in the American Empire after 1898 “Room 506

“Mural, Mural on the Wall: Successes and Setbacks among Community Mural Projects, ca. 2008–Today “Room 405

4:00PM

“A Room of One’s Own: National Models for Creating Artists Spaces and Artists Housing”Room 403B

“Collecting, Cutting, and Collaging”Room 406B

“Intimate Geographies”Room 410

6:00PM

“Let’s Dance, But Don’t Call Me Baby: Dialogue, Empathy, and Inclusion in the Classroom and Beyond” (Foundations in Art: Theory and Education FATE)Room 409A

“Movements in Art and Activism: Radical Practice in California and Beyond”Room 405

“Teaching and Writing the Art Histories of Latin American Los Angeles” (Art Historians of Southern California AHSC)Room 403B

“The Craft School Experience”Room 408B

Friday 02/23/2018

8:30am

“Alt-Aesthetics: The Alt-Right and the New Turn in Appropriation”Room 404B

“Autonomy and the 1960s”Room 409B

“Casts: Plaster and Pedagogy”Room 409A

“Circuits of Belonging: Rerouting Blackness in the Imaginary”Room 408A

“Cold War Art Archives, Collections, and Exhibitions: Starting from Los Angeles”Room 402B

“Florence, Berlin, and Beyond: Social Network and the Late Nineteenth-Century Art Market, Part I”Room 404A

“Remote Sensing: The American West in Modernity and After”Room 506

“Warp, Weft, World: Postwar Textiles and Transcultural Form”Room 408B

10:30am

“America Is (Still) Hard to See: New Directions in American Art History”Room 408A

“Art and Fiction Since the 60s”Room 404B

“Climate Aesthetics in the Anthropocene”Room 405

“Copyright, Fair Use, and Their Limits Part I” (Committee on Intellectual Property)Room 501A

“Cultural Literacy and Ecological Crisis”Room 410

“Florence, Berlin, and Beyond: Social Network and the Late Nineteenth-Century Art Market, Part II”Room 404A

“Rethinking Regionalism: The Midwest in American Art History”Room 506

“West Coast Artists and the Catalogue Raisonné” (Catalogue Raisonné Scholars Association CRSA)Room 402B

“Women’s Liberation and the Persistence of Painting”Room 409B

12:30PM

Copyright, Fair Use, and Their Limits Part IIRoom 501A

2:00PM

“Art on the Nature of Data about Nature”Room 501A

“Race and Deleuze: Representation, Affect, Art”Room 408A

“Women Artists, Social Issues, and the Resistance” (Coalition of Women in the Arts Organizations CWAO)Room 501B

4:00PM

“‘Change the Joke, Slip the Yoke’ Twenty Years Later: African American Artists and ‘Negative’ Imagery”Room 408A

“Art in the Age of Global Martial Law”Room 406B

“Decolonizing Design: Considering a Non-Western Approach to Design Pedagogy”Room 402A

“Local and Global Career Detours: Negotiating and Navigating the Arts through Precarious Times” (Northern California Art Historians NCAH)Room 407

“Taking it to the Streets: The Visual and Material Culture of Women’s Marches” (Committee on Women in the Arts)Room 501B

“The Park Place Group: Another Minimalism”Room 410

6:00PM

“African Americans and US Law in Visual Culture”Room 408A

“Destabilizing the Geographic in Modern and Contemporary Art”Room 406B

“Situational Methods in Graphic (and Other) Design”Room 402A

Saturday 02/24/2018

8:30am

“Evasive Articulations in the Age of ‘Fake News’: Thinking About the Relationship Between Art and Truth During the Trump Era”Room 503

“Gender Parity and Bias in the Arts: A Demand for Change”Room 407

“Making Things Modular”Room 402A

10:30am

“A Way/s from Home: Blackness Across Nations”Room 409A

“Art: Creative Care”Room 406B

“Design for Participation” (Committee on Design)Room 402A

“Interaction with Color Redux”Room 402B

“Palpable and Mute as a Globed Fruit and Dumb as Old Medallions to the Thumb “Room 410

“Recuperation”Room 406A

2:00PM

“Cities as Labs for Innovation Tackling Global Challenges: Transdisciplinarity and the Future of the University” (Leonardo Education and Art Forum LEAF)Room 406B

“Pop América: Contesting Freedom, 1965–75”Room 404B

“The Exhibition as Critical Practice” (Southeastern College Art Conference SECAC)Room 407

4:00PM

“Chican@ Art History: Interdisciplinary Foundations and New Directions” (US Latinx Art Forum USLAF)Room 404B

“Disappointment and Representation”Room 406A

“Fear of the Unknown” (Mid-America College Art Association MACAA)Room 402B

“No Discipline”Room 408A

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