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CAA 106th Annual Conference, New York, February 21-24, 2018
LA Convention Center
February 21–24, 2018
CAA
CAA Commons
Registration
Individual Registration
Institutional Registration
Press Registration
Attendee Guidelines
Travel
Travel Discounts
Hotels
Getting Around
Schedule
Careers
Professional-Development Workshops
SEPC Lounge
Career Services for Job Seekers
Career Services for Employers
Mentoring and Portfolio Review
Exhibit Halls
Cultural and Academic Network Hall
Book and Trade Fair
Sponsorship
Sponsorship
Advertising
Sponsors
Resources
Free Annual Conference Mobile App
Maps and Forms
Museums and Galleries
Conference Services
Tips for First-Time Attendees
Work at the 2018 Conference
Information for Speakers and Chairs
CAA Contacts
Travel Grants
Register Now
Join CAA
Schedule
Methodologies
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Wednesday
02/21/2018
8:30am
“Practical Approaches and Collaborations: A Sessions to Share Ideas and Methods for the Art History Survey”
Room 402A
“Site Specific, Collaborative, and Interactive Platforms within Locative Media”
Room 402B
10:30am
“Aesthetics and Control: Artists Respond to the Surveillance Apparatus”
Room 409A
“Disability Aesthetics and Choreopolitics”
Room 404B
“Localizing History through Donor Portraits: Images of Donors and Ritual Scenes in Early Medieval South Asia”
Room 407
2:00PM
“Keeping Up Appearances: Historicizing Trans and Gender Variance in and across Art History”
Room 501C
“Reconsidering Pacific Standard Time: LA/LA”
Room 403B
“The Tool: Cultural Expressions, Histories, Rhetoric, and Agency”
Room 406B
4:00PM
“Championing the Relevancy of Studio Art and Art History in the Twenty-First Century: Stories of Success and Advocacy” (Community College Professors of Art and Art History CCPAAH)
Room 402A
“Cripping the Curriculum: Pedagogical Practices and Strategies when Teaching Disability in the Arts”
Room 404B
“From the Globe to the Cosmos: Entangled Perspectives on the Question of Global Art and World Art”
Room 405
Thursday
02/22/2018
8:30am
“Art Historical Ecology: Asian Perspectives”
Room 501B
“How Many Ways to Miss the Mark? Lucio Fontana between Formalism and Historicity “
Room 409A
“Learning from Elsewhere: Critical Arts Pedagogies in the University”
Room 406A
“New Horizons: Contemporary Pacific Arts, Digital Archives, and Colonial Boundaries” (Pacific Arts Association PAA)
Room 406B
“Rethinking the Grand Narratives of Art History in the Museum Environment” (International Committee)
Room 408A
10:30am
“Beyond Model and Autonomy: Reconfiguring Drawing, ca. 1350-1500”
Room 505
“Borders and Breakthroughs: The Afterlife of PST LA/LA, Part II”
Room 403B
“Online Platforms for Interdisciplinary Arts Research” (Alliance for the Arts in Research Universities a2ru)
Room 406A
2:00PM
“Alternative Beginnings: Towards an-Other History of Immersive Arts and Technologies” (New Media Caucus)
Room 406B
“Naturally Hypernatural—Debates about Nature in Contemporary Art and Theory in the Age of Metamodernism”
Room 402B
“Restaging Exhibitions: Past, Present, Futures?, Part I: Curators in the Act of Restaging”
Room 408A
“Restoration and the Architecture of the Global Middle Ages”
Room 505
6:00PM
“Let’s Dance, But Don’t Call Me Baby: Dialogue, Empathy, and Inclusion in the Classroom and Beyond” (Foundations in Art: Theory and Education FATE)
Room 409A
“Medium Sensitivity and the Ingenuity of Translation”
Room 402A
“Teaching and Writing the Art Histories of Latin American Los Angeles” (Art Historians of Southern California AHSC)
Room 403B
Friday
02/23/2018
8:30am
“Re-staging Exhibitions: Past, Present, Futures?, Part II: Methodologies, Theories, Conceptual Practices”
Room 501A
10:30am
“Cultural Literacy and Ecological Crisis”
Room 410
“Decolonizing Art Histories: The Intersections of Diaspora and World Studies”
Room 406B
“Digital Craft: A Historical Perspective”
Room 408B
“Methodologies for the Contemporary Art of Global Asias “
Room 501C
“Rethinking Regionalism: The Midwest in American Art History”
Room 506
“West Coast Artists and the Catalogue Raisonné” (Catalogue Raisonné Scholars Association CRSA)
Room 402B
2:00PM
“A Critical Conversation on Affect Theory, Neuroscience, and Art-Science Collaborations”
Room 405
“Mobilities: Brazil and Beyond” (National Committee for the History of Art NCHA)
Room 404A
“Race and Deleuze: Representation, Affect, Art”
Room 408A
4:00PM
“Feminist Art in Response to the State” (The Feminist Art Project TFAP)
Room 404A
“Provenance Research as a Method of Connoisseurship?”
Room 506
“Roundtable: Digital Publishing, Dissent, and Socially Engaged Art History”
Room 501C
6:00PM
“Situational Methods in Graphic (and Other) Design”
Room 402A
Saturday
02/24/2018
8:30am
“De-Centering the “Global Renaissance”: Encounters with Asia and the Pacific Rim” (Renaissance Society of America RSA)
Room 404A
“Evasive Articulations in the Age of ‘Fake News’: Thinking About the Relationship Between Art and Truth During the Trump Era”
Room 503
“How We Practice”
Room 402B
2:00PM
“A Second Talent: Art Historians Making Art, Part I”
Room 410
“Design Incubation Colloquium 4.2: CAA 2018 Los Angeles” (Design Incubation)
Room 402A
“Mobilities: Italy and the New World”
Room 404A
4:00PM
“A Second Talent: Art Historians Making Art, Part II”
Room 410
“Art History as Anti-Oppression Work”
Room 405
“Critical Craft: What Craft Archives?”
Room 408B
“Disappointment and Representation”
Room 406A
“Mobilizing the Collection” (Association of Art Museum Curators)
Room 407
“No Discipline”
Room 408A
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