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Schedule

Modernism

Wednesday 02/21/2018

8:30am

“Changing Interactions: Japanese Artists and the West Coast, Part I”Room 503

“Framing the Struggle: Early Twentieth-Century Women Modernists”Room 501C

“Theorizing Drawing: The Gap between Historical Accounts and Studio Practice”Room 406A

10:30am

“Changing Interactions: Japanese Artists and the West Coast, Part II”Room 503

“Disability Aesthetics and Choreopolitics”Room 404B

“Regionalism in the Global Era”Room 405

“Socialist Realism Reconsidered: New Readings of Russian Cultural Policy 1920–1930s”Room 501A

2:00PM

“‘Processi Italiani’: Examining Process in Postwar Italian Art, 1945–80” (Italian Art Society IAS)Room 410

“Art, Agency, and the Making of Identities at a Global Level, 1600–2000, Part I”Room 405

“Avant-Gardes and Varieties of Fascism, Part I”Room 501A

“The Right to Unmake”Room 406A

“The Virtual Asian American Art Museum: Postwar Japanese American Art in Chicago” (Diasporic Asian Art Network DAAN)Room 503

4:00PM

“Imagining Constructivism’s Constellations: Alternative Histories of Cold War Cultural Production”Room 501A

“New Approaches to Contemporary Asian Art”Room 410

Thursday 02/22/2018

8:30am

“How Many Ways to Miss the Mark? Lucio Fontana between Formalism and Historicity “Room 409A

“Projecting the Body: Beyond the Ocular”Room 501A

10:30am

“Artistic Afterlives, or Rethinking Nachleben”Room 404A

“Curating Difference: Race and Ethnicity in the US Museum” (Association for Critical Race Art History ACRAH)Room 408A

2:00PM

“’68 and After: Art and Political Engagement in Europe” (European Postwar and Contemporary Art Forum EPCAF)Room 409A

“Art of Haiti, 1940s to the Present, Part I”Room 407

“Biennials of the Global South: Charting Transnational Networks of Exchange”Room 402A

“Energy and Photography, Part I”Room 410

“Imperial Islands: Vision and Experience in the American Empire after 1898 “Room 506

“Islamic Art Circa 1900” (Association for Modern and Contemporary Art of the Arab World, Iran, and Turkey AMCA)Room 503

“Women Artists, 1800–1900” (Association of Historians of Nineteenth-Century Art AHNCA)Room 403B

4:00PM

“Collecting, Cutting, and Collaging”Room 406B

“Intimate Geographies”Room 410

“The Audience as Producer, 1750 – 1900”Room 404B

6:00PM

“Teaching and Writing the Art Histories of Latin American Los Angeles” (Art Historians of Southern California AHSC)Room 403B

“The Craft School Experience”Room 408B

Friday 02/23/2018

8:30am

“Autonomy and the 1960s”Room 409B

“Modern Architecture and the Middle East in the Twentieth Century”Room 503

“Remote Sensing: The American West in Modernity and After”Room 506

“Reorganizing the Art World: Postwar and Contemporary Collectives in Asia”Room 501C

“Warp, Weft, World: Postwar Textiles and Transcultural Form”Room 408B

10:30am

“Art in Middle Eastern Diplomacy, Part I: Politics and Museums”Room 503

“Decolonizing Art Histories: The Intersections of Diaspora and World Studies”Room 406B

“Digital Craft: A Historical Perspective”Room 408B

“Energy and Photography, Part II”Room 403B

“Imagining the International: Repositioning Peripheral Narratives in Global Design Histories” (Design History Society)Room 402A

“Methodologies for the Contemporary Art of Global Asias “Room 501C

“Rethinking Regionalism: The Midwest in American Art History”Room 506

“Women’s Liberation and the Persistence of Painting”Room 409B

2:00PM

“Collaboration on Paper”Room 406A

“Mobilities: Brazil and Beyond” (National Committee for the History of Art NCHA)Room 404A

4:00PM

“Art and Reason: Art’s Possible Worlds”Room 405

“Decolonizing Design: Considering a Non-Western Approach to Design Pedagogy”Room 402A

“Taking it to the Streets: The Visual and Material Culture of Women’s Marches” (Committee on Women in the Arts)Room 501B

Saturday 02/24/2018

8:30am

“Art Nouveau: Symbolism of Beauty and Novelty” (Association for Textual Scholarship in Art History ATSAH)Room 501A

“Inter-Arts Exchange as Modernist Method, circa 1900”Room 501B

10:30am

“Art: Creative Care”Room 406B

“Design for Participation” (Committee on Design)Room 402A

“Interaction with Color Redux”Room 402B

“Nineteenth-Century Critical Rivalries” (Society for Paragone Studies)Room 501A

2:00PM

“Fashion, Costume, and Consumer Culture in Iberia and Latin America: A Sessions in Honor of Gridley McKim-Smith” (American Society for Hispanic Art Historical Studies ASHAHS)Room 405

“Mobilities: Italy and the New World”Room 404A

“The Exhibition as Critical Practice” (Southeastern College Art Conference SECAC)Room 407

4:00PM

“Disappointment and Representation”Room 406A

“New Directions in Black-British Art History”Room 409A

“No Discipline”Room 408A

“Structure, Texture, Facture in Avant-Garde Art”Room 501A

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