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CAA 106th Annual Conference, New York, February 21-24, 2018
LA Convention Center
February 21–24, 2018
CAA
CAA Commons
Registration
Individual Registration
Institutional Registration
Press Registration
Attendee Guidelines
Travel
Travel Discounts
Hotels
Getting Around
Schedule
Careers
Professional-Development Workshops
SEPC Lounge
Career Services for Job Seekers
Career Services for Employers
Mentoring and Portfolio Review
Exhibit Halls
Cultural and Academic Network Hall
Book and Trade Fair
Sponsorship
Sponsorship
Advertising
Sponsors
Resources
Free Annual Conference Mobile App
Maps and Forms
Museums and Galleries
Conference Services
Tips for First-Time Attendees
Work at the 2018 Conference
Information for Speakers and Chairs
CAA Contacts
Travel Grants
Register Now
Join CAA
Schedule
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Wednesday
02/21/2018
8:30am
“Against Algorithms (Or the Arts of Resistance in the Age of Quantification)”
Room 409A
“Changing Interactions: Japanese Artists and the West Coast, Part I”
Room 503
“Now You See It, Now You Don’t: Materialism and Ephemeral Prints” (Association of Print Scholars APS)
Room 406B
“Performing Authenticity”
Room 505
“Practical Approaches and Collaborations: A Sessions to Share Ideas and Methods for the Art History Survey”
Room 402A
“Site Specific, Collaborative, and Interactive Platforms within Locative Media”
Room 402B
“Sport, Fitness, and Wellbeing in Art History”
Room 404B
“Theorizing Drawing: The Gap between Historical Accounts and Studio Practice”
Room 406A
“Utopianism and Dystopianism in Soviet and Eastern European Art” (Society of Historians of East European Eurasian and Russian Art and Architecture SHERA)
Room 501A
10:30am
“A Public Art Primer: Expanding Form and Content”
Room 506
“Aesthetics and Control: Artists Respond to the Surveillance Apparatus”
Room 409A
“Alternative Visions: The Photograph, Self-Representation, and Fact in Contemporary Art of the United States”
Room 505
“Art/Data”
Room 402B
“Changing Interactions: Japanese Artists and the West Coast, Part II”
Room 503
“Disability Aesthetics and Choreopolitics”
Room 404B
“LA/LX: Queer and Latinx in Los Angeles” (Queer Caucus for Art QCA)
Room 403B
“Made by Hand: The Revival of Drawing from Direct Observation”
Room 406A
“Regionalism in the Global Era”
Room 405
“Shifting Sands: New Trends in Visual Resource Services” (Visual Resources Association VRA)
Room 406B
“State of the Art (History): Re-Examining the Exam” (Art Historians Interested in Pedagogy and Technology AHPT)
Room 402A
2:00PM
“Disciplinary Distinctions: Art History / Visual Studies / Studio Art” (Professional Practices Committee)
Room 402A
“Museums, Access, and the Ethics of Care”
Room 404B
“Performance, Voice, and Embodiment: Ventriloquism in Contemporary Art”
Room 505
“Reconsidering Pacific Standard Time: LA/LA”
Room 403B
“The Call to the Virtual: Virtual Reality as Artform, Discourse, Intervention”
Room 402B
“The Right to Unmake”
Room 406A
“The Tool: Cultural Expressions, Histories, Rhetoric, and Agency”
Room 406B
“The Virtual Asian American Art Museum: Postwar Japanese American Art in Chicago” (Diasporic Asian Art Network DAAN)
Room 503
4:00PM
“Build It and They Will Come: How to Bring the Art World to Your Backwoods Outpost Town”
Room 506
“Championing the Relevancy of Studio Art and Art History in the Twenty-First Century: Stories of Success and Advocacy” (Community College Professors of Art and Art History CCPAAH)
Room 402A
“Cripping the Curriculum: Pedagogical Practices and Strategies when Teaching Disability in the Arts”
Room 404B
“Data Publics: Art in the Age of Platforms”
Room 402B
“Educating Hybrid Practitioners”
Room 406A
“From the Globe to the Cosmos: Entangled Perspectives on the Question of Global Art and World Art”
Room 405
“Group Encounters: Rethinking the Social in and through Performance”
Room 505
“New Approaches to Contemporary Asian Art”
Room 410
“Objects of Change? Art, Liberalism, and Reform across the Eighteenth and Nineteenth Centuries”
Room 501B
“Pacific Standard Time: LA/LA — Case Studies in Teaching from Exhibitions”
Room 403B
“The Poetics and Politics of “Anonymous” Contemporary Craft”
Room 408B
Thursday
02/22/2018
8:30am
“Activist Art Practices in Institutions”
Room 405
“Art Historical Ecology: Asian Perspectives”
Room 501B
“Borders and Breakthroughs: The Afterlife of PST LA/LA, Part I”
Room 403B
“Craft and Resistance”
Room 408B
“Learning from Elsewhere: Critical Arts Pedagogies in the University”
Room 406A
“New Horizons: Contemporary Pacific Arts, Digital Archives, and Colonial Boundaries” (Pacific Arts Association PAA)
Room 406B
“Projecting the Body: Beyond the Ocular”
Room 501A
“Rethinking the Grand Narratives of Art History in the Museum Environment” (International Committee)
Room 408A
10:30am
“(Un)Common Intent: Performance Scores as Contractual Exchange”
Room 501A
“Borders and Breakthroughs: The Afterlife of PST LA/LA, Part II”
Room 403B
“Collaborating with Communities”
Room 405
“Curating Difference: Race and Ethnicity in the US Museum” (Association for Critical Race Art History ACRAH)
Room 408A
“Exhibitor Session: Publishing Your Book: A Guide for Authors”
Room 511A
“International Image Interoperability Framework Use Cases for Enhanced Research and Collection Engagement”
Room 404B
“Online Platforms for Interdisciplinary Arts Research” (Alliance for the Arts in Research Universities a2ru)
Room 406A
“Photographing Disappearance”
Room 410
“The Postwar Environment in Global Context”
Room 406B
“Transforming Communities through the Arts” (National Council of Arts Administrators NCAA)
Room 408B
Resistance, Resilience, and Refuge: Sustaining a Contemporary Creative Practice
Room 515B
2:00PM
“’68 and After: Art and Political Engagement in Europe” (European Postwar and Contemporary Art Forum EPCAF)
Room 409A
“Art of Haiti, 1940s to the Present, Part I”
Room 407
“Between Nation-“ness” and Nation-“less” in Postwar Asia”
Room 501B
“Biennials of the Global South: Charting Transnational Networks of Exchange”
Room 402A
“Changing Hands: When Art History Meets the Art Market” (The International Art Market Studies Association TIAMSA)
Room 404B
“Elements of an Artist’s Legacy”
Room 406A
“Imperial Islands: Vision and Experience in the American Empire after 1898 “
Room 506
“Intercontinental: Indigenous Artists of the Americas on the Contemporary Art Stage”
Room 409B
“Mural, Mural on the Wall: Successes and Setbacks among Community Mural Projects, ca. 2008–Today “
Room 405
“My Hands are (Un)tied: Craft in an Anxiety Age”
Room 408B
“Naturally Hypernatural—Debates about Nature in Contemporary Art and Theory in the Age of Metamodernism”
Room 402B
“Object – Event – Performance: Art, Materiality, and Continuity since the 1960s”
Room 501A
“Restaging Exhibitions: Past, Present, Futures?, Part I: Curators in the Act of Restaging”
Room 408A
“The Collective as a Model for Practices in Diversity and Inclusion” (Committee on Diversity Practices)
Room 501C
4:00PM
“#Resistance: Performing Bodies and the State”
Room 501A
“A Room of One’s Own: National Models for Creating Artists Spaces and Artists Housing”
Room 403B
“Art of Haiti, 1940s to the Present, Part II”
Room 407
“Save Our Children! That Sweet, Sweet Pie in Anita Bryant’s Face”
Room 405
“Spaces and Places for Artistic Interdisciplinary Collaboration in Science, Engineering, Arts, Technology, and Design”
Room 404A
“The Artist’s Resource: Building Documentation Systems for Artists”
Room 406A
“Touch and Tooling: A Social and Historical Perspective on Craft and Engagement in Contemporary Ceramics”
Room 408B
6:00PM
“Let’s Dance, But Don’t Call Me Baby: Dialogue, Empathy, and Inclusion in the Classroom and Beyond” (Foundations in Art: Theory and Education FATE)
Room 409A
“Movements in Art and Activism: Radical Practice in California and Beyond”
Room 405
“Teaching and Writing the Art Histories of Latin American Los Angeles” (Art Historians of Southern California AHSC)
Room 403B
“The Craft School Experience”
Room 408B
Friday
02/23/2018
8:30am
“Alt-Aesthetics: The Alt-Right and the New Turn in Appropriation”
Room 404B
“Autonomy and the 1960s”
Room 409B
“Circuits of Belonging: Rerouting Blackness in the Imaginary”
Room 408A
“Design and Neoliberalism: The Economics and Politics of “Total Design” across the Disciplines” (Design Studies Forum DSF)
Room 402A
“Global Conversations – Border Crossings: The Migration of Art, People, and Ideas” (CAA-Getty International Program and International Committee)
Room 403B
“Innovative, Collaborative & Interdisciplinary Approaches in Higher Education Programs, Pedagogy and Practice” (Education Committee)
Room 407
“Irrational Identities: Art, Science, and Selves”
Room 405
“Remote Sensing: The American West in Modernity and After”
Room 506
“Reorganizing the Art World: Postwar and Contemporary Collectives in Asia”
Room 501C
10:30am
“Art and Fiction Since the 60s”
Room 404B
“Art in Middle Eastern Diplomacy, Part I: Politics and Museums”
Room 503
“Climate Aesthetics in the Anthropocene”
Room 405
“Copyright, Fair Use, and Their Limits Part I” (Committee on Intellectual Property)
Room 501A
“Cultural Literacy and Ecological Crisis”
Room 410
“Decolonizing Art Histories: The Intersections of Diaspora and World Studies”
Room 406B
“Digital Surrogates: The Reproduction and (re)Presentation of Art and Cultural Heritage”
Room 409A
“Methodologies for the Contemporary Art of Global Asias “
Room 501C
“Recipes for Revolution from Feminist Artists of Color” (Women’s Caucus for Art WCA)
Room 501B
“Rethinking Regionalism: The Midwest in American Art History”
Room 506
“West Coast Artists and the Catalogue Raisonné” (Catalogue Raisonné Scholars Association CRSA)
Room 402B
“Women’s Liberation and the Persistence of Painting”
Room 409B
12:30PM
Copyright, Fair Use, and Their Limits Part II
Room 501A
2:00PM
“#classroomssowhite: Strategies for Inclusive Teaching in Arts-Based Higher Education”
Room 407
“Art and Criticism in the Anthropocene”
Room 506
“Art on the Nature of Data about Nature”
Room 501A
“Race and Deleuze: Representation, Affect, Art”
Room 408A
“Teachable Monuments: Using Public Art to Spark Dialogue and Address Controversies” (Public Art Dialogue PAD)
Room 402B
“Voices to Be Heard: Art in the Face of Alienation”
Room 406B
4:00PM
“‘Change the Joke, Slip the Yoke’ Twenty Years Later: African American Artists and ‘Negative’ Imagery”
Room 408A
“Agnotology of Contemporary Middle Eastern Art”
Room 409B
“Art and Reason: Art’s Possible Worlds”
Room 405
“Art and Science in the Twenty-First Century”
Room 501A
“Art in Middle Eastern Diplomacy Part II: Artists”
Room 503
“Art in the Age of Global Martial Law”
Room 406B
“Crafted InSites”
Room 408B
“Decolonizing Design: Considering a Non-Western Approach to Design Pedagogy”
Room 402A
“Feminist Art in Response to the State” (The Feminist Art Project TFAP)
Room 404A
“Local and Global Career Detours: Negotiating and Navigating the Arts through Precarious Times” (Northern California Art Historians NCAH)
Room 407
“Repair and Maintenance in Art, Architecture, and Design, Part II”
Room 406A
“Sites of Micro-Community” (Society of Contemporary Art Historians SCAH)
Room 404B
6:00PM
“A System of Systems: Cybernetics and Play in Postwar Art”
Room 405
“African Americans and US Law in Visual Culture”
Room 408A
Saturday
02/24/2018
8:30am
“Decolonizing Art Museums? Part I”
Room 409B
“Evasive Articulations in the Age of ‘Fake News’: Thinking About the Relationship Between Art and Truth During the Trump Era”
Room 503
“Gender Parity and Bias in the Arts: A Demand for Change”
Room 407
“How We Practice”
Room 402B
10:30am
“A Way/s from Home: Blackness Across Nations”
Room 409A
“Art: Creative Care”
Room 406B
“Critical Craft: Voice of the Object “
Room 408B
“Curating Experience as a Work of Art”
Room 407
“Decolonizing Art Museums? Part II”
Room 501C
“Design for Participation” (Committee on Design)
Room 402A
“Interaction with Color Redux”
Room 402B
“Palpable and Mute as a Globed Fruit and Dumb as Old Medallions to the Thumb “
Room 410
“Recuperation”
Room 406A
“What Do We Do Now? Art and Politics circa 1970 and Now”
Room 503
2:00PM
“A Second Talent: Art Historians Making Art, Part I”
Room 410
“Art Journalism and Political Crisis”
Room 408A
“Cities as Labs for Innovation Tackling Global Challenges: Transdisciplinarity and the Future of the University” (Leonardo Education and Art Forum LEAF)
Room 406B
“Critical Craft: Craft’s Evolving Relationship with Industry”
Room 408B
“Design Incubation Colloquium 4.2: CAA 2018 Los Angeles” (Design Incubation)
Room 402A
“The Exhibition as Critical Practice” (Southeastern College Art Conference SECAC)
Room 407
4:00PM
“A Second Talent: Art Historians Making Art, Part II”
Room 410
“Chican@ Art History: Interdisciplinary Foundations and New Directions” (US Latinx Art Forum USLAF)
Room 404B
“Critical Craft: What Craft Archives?”
Room 408B
“Fear of the Unknown” (Mid-America College Art Association MACAA)
Room 402B
“New Directions in Black-British Art History”
Room 409A
“No Discipline”
Room 408A
“Speculative Play”
Room 402A
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