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CAA 106th Annual Conference, New York, February 21-24, 2018
LA Convention Center
February 21–24, 2018
CAA
CAA Commons
Registration
Individual Registration
Institutional Registration
Press Registration
Attendee Guidelines
Travel
Travel Discounts
Hotels
Getting Around
Schedule
Careers
Professional-Development Workshops
SEPC Lounge
Career Services for Job Seekers
Career Services for Employers
Mentoring and Portfolio Review
Exhibit Halls
Cultural and Academic Network Hall
Book and Trade Fair
Sponsorship
Sponsorship
Advertising
Sponsors
Resources
Free Annual Conference Mobile App
Maps and Forms
Museums and Galleries
Conference Services
Tips for First-Time Attendees
Work at the 2018 Conference
Information for Speakers and Chairs
CAA Contacts
Travel Grants
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Wednesday
02/21/2018
8:30am
“Against Algorithms (Or the Arts of Resistance in the Age of Quantification)”
Room 409A
“Ariadne’s Thread: Understanding Eurasia Through Textiles”
Room 408B
“Changing Interactions: Japanese Artists and the West Coast, Part I”
Room 503
“Framing the Struggle: Early Twentieth-Century Women Modernists”
Room 501C
“He, She, and the In-Between: Reassessing Gender and Sexuality in Ancient Mediterranean Art “
Room 408A
“Historicizing Loss in Early Modern Europe”
Room 404A
“Imitation, Influence, and Invention in the Enlightenment” (Historians of Eighteenth-Century Art and Architecture HECAA)
Room 501B
“International Abstraction after World War II: The US, France, Germany, and Beyond”
Room 410
“Materials and Techniques in the Cultural Sphere”
Room 409B
“Now You See It, Now You Don’t: Materialism and Ephemeral Prints” (Association of Print Scholars APS)
Room 406B
“Performing Authenticity”
Room 505
“Practical Approaches and Collaborations: A Sessions to Share Ideas and Methods for the Art History Survey”
Room 402A
“Site Specific, Collaborative, and Interactive Platforms within Locative Media”
Room 402B
“Sport, Fitness, and Wellbeing in Art History”
Room 404B
“Theorizing Drawing: The Gap between Historical Accounts and Studio Practice”
Room 406A
“Urban Interventions in Postwar California”
Room 403B
“Utopianism and Dystopianism in Soviet and Eastern European Art” (Society of Historians of East European Eurasian and Russian Art and Architecture SHERA)
Room 501A
“Viral Media and South Asia”
Room 407
10:30am
“A Public Art Primer: Expanding Form and Content”
Room 506
“Aesthetics and Control: Artists Respond to the Surveillance Apparatus”
Room 409A
“Alternative Visions: The Photograph, Self-Representation, and Fact in Contemporary Art of the United States”
Room 505
“Ambivalences and Appropriations: Some American Artists”
Room 501C
“Art and Power: Methodological Case Studies”
Room 409B
“Art/Data”
Room 402B
“Changing Interactions: Japanese Artists and the West Coast, Part II”
Room 503
“Disability Aesthetics and Choreopolitics”
Room 404B
“Indiana University School of Art, Architecture + Design Exhibitor Session: Spontaneous Classrooms: Improv, Design Thinking, and Action in a Relational Teaching Practice”
Room 511A
“LA/LX: Queer and Latinx in Los Angeles” (Queer Caucus for Art QCA)
Room 403B
“Localizing History through Donor Portraits: Images of Donors and Ritual Scenes in Early Medieval South Asia”
Room 407
“Made by Hand: The Revival of Drawing from Direct Observation”
Room 406A
“No Experiments: Art, Culture, and Politics in the Federal Republic of Germany, 1949–89”
Room 410
“Regionalism in the Global Era”
Room 405
“Shifting Sands: New Trends in Visual Resource Services” (Visual Resources Association VRA)
Room 406B
“Socialist Realism Reconsidered: New Readings of Russian Cultural Policy 1920–1930s”
Room 501A
“State of the Art (History): Re-Examining the Exam” (Art Historians Interested in Pedagogy and Technology AHPT)
Room 402A
“The Elements and Elementality in Art of the Premodern World”
Room 408A
“The French Fragment: Revolution to Fin-de-Siècle Part I”
Room 501B
“Travel, Diplomacy, and Networks of Global Exchange in the Early Modern Period, Part I”
Room 404A
12:00PM
MA/MFA Video Screenings
Room 411
Media Lounge Programs
Room 411
1:30PM
The Collaborative Art of Publishing
Room 515B
2:00PM
“‘Processi Italiani’: Examining Process in Postwar Italian Art, 1945–80” (Italian Art Society IAS)
Room 410
“Alternative Animation: Inscriptions, Pedestals, and Object Caches in Premodern Japanese Buddhist Images” (Japan Art History Forum JAHF)
Room 407
“Archives, Documents, Evidence”
Room 409B
“Art, Agency, and the Making of Identities at a Global Level, 1600–2000, Part I”
Room 405
“Avant-Gardes and Varieties of Fascism, Part I”
Room 501A
“Circumventing Censorship in Global Eighteenth-Century Visual Culture”
Room 501B
“Disciplinary Distinctions: Art History / Visual Studies / Studio Art” (Professional Practices Committee)
Room 402A
“Dissent and Resistance: Responses to Authoritarianism in Ancient Art”
Room 408A
“Keeping Up Appearances: Historicizing Trans and Gender Variance in and across Art History”
Room 501C
“Locating LeWitt: Issues of Site, Space, and Movement”
Room 409A
“Museums, Access, and the Ethics of Care”
Room 404B
“Performance, Voice, and Embodiment: Ventriloquism in Contemporary Art”
Room 505
“Reconsidering Pacific Standard Time: LA/LA”
Room 403B
“The Call to the Virtual: Virtual Reality as Artform, Discourse, Intervention”
Room 402B
“The Right to Unmake”
Room 406A
“The Tool: Cultural Expressions, Histories, Rhetoric, and Agency”
Room 406B
“The Virtual Asian American Art Museum: Postwar Japanese American Art in Chicago” (Diasporic Asian Art Network DAAN)
Room 503
“Unruly Women in Early Modern Art and Material Culture” (Society for the Study of Early Modern Women SSEMW)
Room 404A
“Vermont College of Fine Arts Exhibitor Session: Innovating Art Education Through the Low-Residency Model”
Room 511A
“Visualizing Genocide: Retelling Native American Survival through Art”
Room 506
International Video Art Selections (1)
Room 411
3:30PM
Biennials, Triennials, and Art Fairs
Room 515B
4:00PM
“All in the Family: Northern European Artistic Dynasties, ca. 1350–1750” (Historians of Netherlandish Art HNA)
Room 404A
“Art, Agency, and the Making of Identities at a Global Level, 1600-2000, Part II”
Room 409A
“Breaking Down Barriers: The Visual Culture of the Border in Late Antiquity”
Room 408A
“Build It and They Will Come: How to Bring the Art World to Your Backwoods Outpost Town”
Room 506
“Championing the Relevancy of Studio Art and Art History in the Twenty-First Century: Stories of Success and Advocacy” (Community College Professors of Art and Art History CCPAAH)
Room 402A
“Cripping the Curriculum: Pedagogical Practices and Strategies when Teaching Disability in the Arts”
Room 404B
“Data Publics: Art in the Age of Platforms”
Room 402B
“Educating Hybrid Practitioners”
Room 406A
“Exhibition as Evidence and Postwar International Avant-Gardes”
Room 501C
“Faithful Copies: On Replication and Creative Agency in Buddhist Art, Part I”
Room 407
“From the Globe to the Cosmos: Entangled Perspectives on the Question of Global Art and World Art”
Room 405
“Global Placemaking”
Room 409B
“Group Encounters: Rethinking the Social in and through Performance”
Room 505
“Icons of the Midwest: Cavaliere d’Arpino’s ‘Perseus Rescuing Andromeda’ at the Saint Louis Art Museum” (Midwest Art History Society MAHS)
Room 406B
“Imagining Constructivism’s Constellations: Alternative Histories of Cold War Cultural Production”
Room 501A
“New Approaches to Contemporary Asian Art”
Room 410
“Objects of Change? Art, Liberalism, and Reform across the Eighteenth and Nineteenth Centuries”
Room 501B
“Pacific Standard Time: LA/LA — Case Studies in Teaching from Exhibitions”
Room 403B
“The Poetics and Politics of “Anonymous” Contemporary Craft”
Room 408B
“Travel, Diplomacy, and Networks of Global Exchange in the Early Modern Period, Part II”
Room 503
“Yale University Press Exhibitor Session: Art and Architecture ePortal”
Room 511A
Thursday
02/22/2018
8:30am
“Activist Art Practices in Institutions”
Room 405
“Art Historical Ecology: Asian Perspectives”
Room 501B
“Borders and Breakthroughs: The Afterlife of PST LA/LA, Part I”
Room 403B
“British Abstraction after World War II”
Room 407
“Craft and Resistance”
Room 408B
“Envisioning Time in Early Modern China”
Room 501C
“Faithful Copies: On Replication and Creative Agency in Buddhist Art, Part II”
Room 402B
“How Many Ways to Miss the Mark? Lucio Fontana between Formalism and Historicity “
Room 409A
“Italian Renaissance Art in the Age of Leonardo, Part I”
Room 404A
“Learning from Elsewhere: Critical Arts Pedagogies in the University”
Room 406A
“New Horizons: Contemporary Pacific Arts, Digital Archives, and Colonial Boundaries” (Pacific Arts Association PAA)
Room 406B
“Projecting the Body: Beyond the Ocular”
Room 501A
“Reflective Surfaces in Medieval and Early Modern Art”
Room 505
“Rethinking the Grand Narratives of Art History in the Museum Environment” (International Committee)
Room 408A
“Routledge, Taylor & Francis Exhibitor Session: How to Get Published and How to Get Read”
Room 511A
“The Image of the American Indian in Nineteenth-Century Britain: New Critical Perspectives” (Historians of British Art HBA)
Room 506
“Woven Spaces: Building with Textile in Islamic Architecture”
Room 503
10:30am
“(Un)Common Intent: Performance Scores as Contractual Exchange”
Room 501A
“Artistic Afterlives, or Rethinking Nachleben”
Room 404A
“Beyond Model and Autonomy: Reconfiguring Drawing, ca. 1350-1500”
Room 505
“Borders and Breakthroughs: The Afterlife of PST LA/LA, Part II”
Room 403B
“Calligraphy’s Visuality in China”
Room 501C
“Collaborating with Communities”
Room 405
“Curating Difference: Race and Ethnicity in the US Museum” (Association for Critical Race Art History ACRAH)
Room 408A
“Exhibitor Session: Publishing Your Book: A Guide for Authors”
Room 511A
“From Nirvana to Catastrophe: Matsuzawa Yutaka and his “Commune in Imaginary Space””
Room 501B
“International Art Exhibitions of the 1980s: The Festivals of India”
Room 402A
“International Image Interoperability Framework Use Cases for Enhanced Research and Collection Engagement”
Room 404B
“Materiality and Metaphor: The Uses of Gold in Asian Art”
Room 407
“Online Platforms for Interdisciplinary Arts Research” (Alliance for the Arts in Research Universities a2ru)
Room 406A
“Open Sessions for Emerging Scholars of Latin American Art” (Association for Latin American Art ALAA)
Room 402B
“Photographing Disappearance”
Room 410
“Picturing Property: Real Estate in American Visual Culture, 1840–1920”
Room 506
“Pop Art and Class, Part I”
Room 409A
“The Aesthetics of Intervention: Federal Governments and Native Art across North America”
Room 409B
“The Postwar Environment in Global Context”
Room 406B
“The “Three Empires” Redux: Islamic Interregionality in the Age of Modernity” (Historians of Islamic Art Association HIAA)
Room 503
“Transforming Communities through the Arts” (National Council of Arts Administrators NCAA)
Room 408B
Linda Nochlin Memorial Session
403A
Resistance, Resilience, and Refuge: Sustaining a Contemporary Creative Practice
Room 515B
Social Textiles: Mend America Workshop
Room 411
12:00PM
International Video Art Selections (2) – Haiti
Room 411
Poster Sessions
Cultural and Academic Network Hall in Petree Hall C and D
12:30PM
Stone Breakers Slam: A Tribute to Linda Nochlin – Canceled
403A
1:30PM
Artist as Parent: Parent as Artist
Room 515B
2:00PM
“’68 and After: Art and Political Engagement in Europe” (European Postwar and Contemporary Art Forum EPCAF)
Room 409A
“Alternative Beginnings: Towards an-Other History of Immersive Arts and Technologies” (New Media Caucus)
Room 406B
“Art of Haiti, 1940s to the Present, Part I”
Room 407
“Between Nation-“ness” and Nation-“less” in Postwar Asia”
Room 501B
“Biennials of the Global South: Charting Transnational Networks of Exchange”
Room 402A
“Carlo Borromeo and the Arts”
Room 404A
“Changing Hands: When Art History Meets the Art Market” (The International Art Market Studies Association TIAMSA)
Room 404B
“Elements of an Artist’s Legacy”
Room 406A
“Energy and Photography, Part I”
Room 410
“Imperial Islands: Vision and Experience in the American Empire after 1898 “
Room 506
“Institute of International Education Exhibitor Session: Fulbright Arts Awards: Suitability, Feasibility, and Outcomes”
Room 511A
“Intercontinental: Indigenous Artists of the Americas on the Contemporary Art Stage”
Room 409B
“Islamic Art Circa 1900” (Association for Modern and Contemporary Art of the Arab World, Iran, and Turkey AMCA)
Room 503
“Mural, Mural on the Wall: Successes and Setbacks among Community Mural Projects, ca. 2008–Today “
Room 405
“My Hands are (Un)tied: Craft in an Anxiety Age”
Room 408B
“Naturally Hypernatural—Debates about Nature in Contemporary Art and Theory in the Age of Metamodernism”
Room 402B
“Object – Event – Performance: Art, Materiality, and Continuity since the 1960s”
Room 501A
“Restaging Exhibitions: Past, Present, Futures?, Part I: Curators in the Act of Restaging”
Room 408A
“Restoration and the Architecture of the Global Middle Ages”
Room 505
“The Collective as a Model for Practices in Diversity and Inclusion” (Committee on Diversity Practices)
Room 501C
“Women Artists, 1800–1900” (Association of Historians of Nineteenth-Century Art AHNCA)
Room 403B
MA/MFA Video Screenings
Room 411
3:30PM
Projections on Future Practice
Room 515B
4:00PM
“#Resistance: Performing Bodies and the State”
Room 501A
“A Room of One’s Own: National Models for Creating Artists Spaces and Artists Housing”
Room 403B
“Art of Haiti, 1940s to the Present, Part II”
Room 407
“Collecting, Cutting, and Collaging”
Room 406B
“Engaging the Iterative: Pedagogical Experiments across Art and Design Disciplines” (Art Librarians Society of North American ARLIS/NA)
Room 402A
“Intimate Geographies”
Room 410
“New Developments in Museum Practices”
Room 408A
“Permanence/Impermanence: Materiality in the Precolumbian World”
Room 409B
“Save Our Children! That Sweet, Sweet Pie in Anita Bryant’s Face”
Room 405
“Spaces and Places for Artistic Interdisciplinary Collaboration in Science, Engineering, Arts, Technology, and Design”
Room 404A
“The Artist’s Resource: Building Documentation Systems for Artists”
Room 406A
“The Audience as Producer, 1750 – 1900”
Room 404B
“The Renaissance Contribution to the Formation of “Islamic Art” “
Room 503
“Touch and Tooling: A Social and Historical Perspective on Craft and Engagement in Contemporary Ceramics”
Room 408B
Distinguished Scholar Session Honoring Wu Hung
Room 502 A and B
Ekphrasis Today, with Alexander Nemerov
Room 511A
Social Textiles: Humor and Magic
Room 411
6:00PM
“Let’s Dance, But Don’t Call Me Baby: Dialogue, Empathy, and Inclusion in the Classroom and Beyond” (Foundations in Art: Theory and Education FATE)
Room 409A
“Medium Sensitivity and the Ingenuity of Translation”
Room 402A
“Movements in Art and Activism: Radical Practice in California and Beyond”
Room 405
“Rethinking Visual Arts Minors: Innovative Curricula for Visual Intelligence”
Room 406B
“Teaching and Writing the Art Histories of Latin American Los Angeles” (Art Historians of Southern California AHSC)
Room 403B
“The Craft School Experience”
Room 408B
Friday
02/23/2018
8:30am
“Alt-Aesthetics: The Alt-Right and the New Turn in Appropriation”
Room 404B
“Autonomy and the 1960s”
Room 409B
“Casts: Plaster and Pedagogy”
Room 409A
“Circuits of Belonging: Rerouting Blackness in the Imaginary”
Room 408A
“Cold War Art Archives, Collections, and Exhibitions: Starting from Los Angeles”
Room 402B
“Design and Neoliberalism: The Economics and Politics of “Total Design” across the Disciplines” (Design Studies Forum DSF)
Room 402A
“Finding Support in An Arts Funding Crisis” (Student and Emerging Professionals Committee)
Room 406B
“Florence, Berlin, and Beyond: Social Network and the Late Nineteenth-Century Art Market, Part I”
Room 404A
“Global Conversations – Border Crossings: The Migration of Art, People, and Ideas” (CAA-Getty International Program and International Committee)
Room 403B
“Innovative, Collaborative & Interdisciplinary Approaches in Higher Education Programs, Pedagogy and Practice” (Education Committee)
Room 407
“Irrational Identities: Art, Science, and Selves”
Room 405
“Italian Renaissance Art in the Age of Leonardo, Part II “
Room 410
“Material Processes of Medieval Art and Architecture”
Room 505
“Modern Architecture and the Middle East in the Twentieth Century”
Room 503
“Pop Art and Class, Part II”
Room 501B
“Re-staging Exhibitions: Past, Present, Futures?, Part II: Methodologies, Theories, Conceptual Practices”
Room 501A
“Remote Sensing: The American West in Modernity and After”
Room 506
“Reorganizing the Art World: Postwar and Contemporary Collectives in Asia”
Room 501C
“Speech Balloons and Thought Bubbles: Architecture and Cartoons”
Room 406A
“University of California Press Exhibitor Session: Creative Art Book Promotion and How to Find Audiences that Matter”
Room 511A
“Warp, Weft, World: Postwar Textiles and Transcultural Form”
Room 408B
New Media Caucus – Art + Tech Workshop 1: Break the Internet
Room 411
10:30am
“America Is (Still) Hard to See: New Directions in American Art History”
Room 408A
“Art and Fiction Since the 60s”
Room 404B
“Art in Middle Eastern Diplomacy, Part I: Politics and Museums”
Room 503
“Avant-Gardes and Varieties of Fascism, Part II”
Room 407
“Climate Aesthetics in the Anthropocene”
Room 405
“Copyright, Fair Use, and Their Limits Part I” (Committee on Intellectual Property)
Room 501A
“Cultural Literacy and Ecological Crisis”
Room 410
“Decolonizing Art Histories: The Intersections of Diaspora and World Studies”
Room 406B
“Dialoguing with the Early Modern Netherlands”
Room 505
“Digital Craft: A Historical Perspective”
Room 408B
“Digital Surrogates: The Reproduction and (re)Presentation of Art and Cultural Heritage”
Room 409A
“Energy and Photography, Part II”
Room 403B
“Florence, Berlin, and Beyond: Social Network and the Late Nineteenth-Century Art Market, Part II”
Room 404A
“Golden Artist Colors Exhibitor Session: Pre-Modern Paint: Post-Modern Practice: Encaustic, Egg Tempera, and Casein in the 21st Century”
Room 511A
“Imagining the International: Repositioning Peripheral Narratives in Global Design Histories” (Design History Society)
Room 402A
“Methodologies for the Contemporary Art of Global Asias “
Room 501C
“Recipes for Revolution from Feminist Artists of Color” (Women’s Caucus for Art WCA)
Room 501B
“Repair and Maintenance in Art, Architecture, and Design, Part I”
Room 406A
“Rethinking Regionalism: The Midwest in American Art History”
Room 506
“West Coast Artists and the Catalogue Raisonné” (Catalogue Raisonné Scholars Association CRSA)
Room 402B
“Women’s Liberation and the Persistence of Painting”
Room 409B
New Media Caucus – Art + Tech Workshop 2: Experimental Computer Vision
Room 411
Title: Art Happens: Through Collective Action
Room 515B
12:00PM
ArtTable Panel: Pathways to Diversity in the Arts Professions
Room 511A
Networked Conversations Live from the NMC Lounge An Interview with Chip Lord, Professor Emeritus, University of California, Santa Cruz Hosted by Randall Packer, Associate Professor of Networked Art, Nanyang Technological University in Singapore
Room 411
Poster Sessions
Cultural and Academic Network Hall in Petree Hall C and D
12:30PM
Copyright, Fair Use, and Their Limits Part II
Room 501A
2:00PM
“#classroomssowhite: Strategies for Inclusive Teaching in Arts-Based Higher Education”
Room 407
“A Critical Conversation on Affect Theory, Neuroscience, and Art-Science Collaborations”
Room 405
“Art and Criticism in the Anthropocene”
Room 506
“Art and the Cold War in East Asia: The Long 1970s”
Room 409B
“Art on the Nature of Data about Nature”
Room 501A
“Collaboration on Paper”
Room 406A
“French North Africa and the Architecture of Counterinsurgency”
Room 501C
“Hucksters or Connoisseurs?: The Role of Intermediary Agents in Art Economies”
Room 404B
“Measuring College Learning in Art History”
Room 511A
“Mobilities: Brazil and Beyond” (National Committee for the History of Art NCHA)
Room 404A
“Race and Deleuze: Representation, Affect, Art”
Room 408A
“Race, Ethnicity, and Cultural Appropriation in the History of Design”
Room 402A
“Shifting Temporalities in Early Modern Rome”
Room 505
“Soundscape/Textscape”
Room 410
“Teachable Monuments: Using Public Art to Spark Dialogue and Address Controversies” (Public Art Dialogue PAD)
Room 402B
“The 1790s” (American Society for Eighteenth-Century Studies ASECS)
Room 503
“Voices to Be Heard: Art in the Face of Alienation”
Room 406B
“Women Artists, Social Issues, and the Resistance” (Coalition of Women in the Arts Organizations CWAO)
Room 501B
“Working Out of Medium”
Room 409A
Diversifying the Art Tech World
Room 411
What’s Next? Eco-Materialism and Contemporary Artists
Room 515A
3:30PM
Distinguished Artist Interviews
Room 515B
Queering New Media Art & Asking Questions about Nothing
Room 411
4:00PM
“‘Change the Joke, Slip the Yoke’ Twenty Years Later: African American Artists and ‘Negative’ Imagery”
Room 408A
“Agnotology of Contemporary Middle Eastern Art”
Room 409B
“Art and Reason: Art’s Possible Worlds”
Room 405
“Art and Science in the Twenty-First Century”
Room 501A
“Art in Middle Eastern Diplomacy Part II: Artists”
Room 503
“Art in the Age of Global Martial Law”
Room 406B
“Crafted InSites”
Room 408B
“Decolonizing Design: Considering a Non-Western Approach to Design Pedagogy”
Room 402A
“Drawing from the Inside Out Exhibitor Session: Simultaneous Contrast in Color Theory”
Room 511A
“Feminist Art in Response to the State” (The Feminist Art Project TFAP)
Room 404A
“Local and Global Career Detours: Negotiating and Navigating the Arts through Precarious Times” (Northern California Art Historians NCAH)
Room 407
“Place and Agency in Ancient American Murals and Monuments, Part I”
Room 402B
“Provenance Research as a Method of Connoisseurship?”
Room 506
“Repair and Maintenance in Art, Architecture, and Design, Part II”
Room 406A
“Roundtable: Digital Publishing, Dissent, and Socially Engaged Art History”
Room 501C
“Sites of Micro-Community” (Society of Contemporary Art Historians SCAH)
Room 404B
“Taking it to the Streets: The Visual and Material Culture of Women’s Marches” (Committee on Women in the Arts)
Room 501B
“The French Fragment: Revolution to Fin-de-Siècle Part II”
Room 505
“The Park Place Group: Another Minimalism”
Room 410
Hilary Ballon in the City, in the World: A Memorial Session
Room 403B
Molds as Cultural and Material Mediators
Room 409A
5:30PM
ARTexchange
Concourse Foyer
6:00PM
“A System of Systems: Cybernetics and Play in Postwar Art”
Room 405
“African Americans and US Law in Visual Culture”
Room 408A
“Craft: Unsettling Hierarchies”
Room 408B
“Destabilizing the Geographic in Modern and Contemporary Art”
Room 406B
“Place and Agency in Ancient American Murals and Monuments, Part II “
Room 402B
“Situational Methods in Graphic (and Other) Design”
Room 402A
Saturday
02/24/2018
8:30am
“Abstraction in Africa: Origins, Meaning, Function” (Arts Council of the African Studies Association ACASA)
Room 409A
“Art Nouveau: Symbolism of Beauty and Novelty” (Association for Textual Scholarship in Art History ATSAH)
Room 501A
“Artistic Practice in a Posthuman World”
Room 406A
“Critical Craft: Decolonizing Craft”
Room 408B
“De-Centering the “Global Renaissance”: Encounters with Asia and the Pacific Rim” (Renaissance Society of America RSA)
Room 404A
“Decolonizing Art Museums? Part I”
Room 409B
“Eccentric Images in the Early Modern World, Part I’
Room 404B
“Ekphrastic Image-Making in Early Modern Europe”
Room 403B
“Evasive Articulations in the Age of ‘Fake News’: Thinking About the Relationship Between Art and Truth During the Trump Era”
Room 503
“Gender Parity and Bias in the Arts: A Demand for Change”
Room 407
“How We Practice”
Room 402B
“Inter-Arts Exchange as Modernist Method, circa 1900”
Room 501B
“Making Things Modular”
Room 402A
“Material Culture and Art History: A State of the Field(s) Panel Discussion” (Association of Research Institutes in Art History ARIAH)
Room 410
“Politics and Power in the Americas: Transhistorical Perspectives”
Room 405
10:30am
“A Way/s from Home: Blackness Across Nations”
Room 409A
“Art: Creative Care”
Room 406B
“Critical Craft: Voice of the Object “
Room 408B
“Curating Experience as a Work of Art”
Room 407
“Decolonizing Art Museums? Part II”
Room 501C
“Design for Participation” (Committee on Design)
Room 402A
“Eccentric Images in the Early Modern World, Part II”
Room 403B
“Experiments with Technology in Latin American Art: From the 1960s to the 1980s”
Room 404B
“Interaction with Color Redux”
Room 402B
“Materials, Makers, and Commissions: Moving Objects between Asia, Europe, and the Americas during Early Modern Globalization”
Room 404A
“Modernity, Identity, and Propaganda”
Room 501B
“Nineteenth-Century Critical Rivalries” (Society for Paragone Studies)
Room 501A
“Palpable and Mute as a Globed Fruit and Dumb as Old Medallions to the Thumb “
Room 410
“Paper Geographies: Printing Spaces in the Colonial Americas”
Room 405
“Recuperation”
Room 406A
“The Art of Image Description” (The Art of Image Description)
Room 408A
“What Do We Do Now? Art and Politics circa 1970 and Now”
Room 503
American Institute for Conservation of Historic and Artistic Works (AIC) Learning to Look: Eighteenth-Century Mexican Painting
Room 409B
Open Source: Artist Resource Roundtables
2:00PM
“A Second Talent: Art Historians Making Art, Part I”
Room 410
“Art Journalism and Political Crisis”
Room 408A
“Cities as Labs for Innovation Tackling Global Challenges: Transdisciplinarity and the Future of the University” (Leonardo Education and Art Forum LEAF)
Room 406B
“Critical Craft: Craft’s Evolving Relationship with Industry”
Room 408B
“Critical Race Art Histories in Germany, Scandinavia, and Central Europe” (Historians of German, Scandinavian, and Central European Art and Architecture HGSCEA)
Room 501A
“Design Incubation Colloquium 4.2: CAA 2018 Los Angeles” (Design Incubation)
Room 402A
“Fashion, Costume, and Consumer Culture in Iberia and Latin America: A Sessions in Honor of Gridley McKim-Smith” (American Society for Hispanic Art Historical Studies ASHAHS)
Room 405
“From Avant Garde to Afrofuturism: Return to Identity”
Room 409A
“Histories of Fake News”
Room 503
“Medieval Echo Chambers: Ideas in Space and Time” (International Center of Medieval Art ICMA)
Room 403B
“Mobilities: Italy and the New World”
Room 404A
“Pop América: Contesting Freedom, 1965–75”
Room 404B
“The Exhibition as Critical Practice” (Southeastern College Art Conference SECAC)
Room 407
“Time, Space, Movement: Art between Perception, Imagination, and Fiction”
Room 406A
Commemorating “What We Want Is Free”: Remembering Ted Purves
Room 409B
4:00PM
“A Second Talent: Art Historians Making Art, Part II”
Room 410
“Art History as Anti-Oppression Work”
Room 405
“Chican@ Art History: Interdisciplinary Foundations and New Directions” (US Latinx Art Forum USLAF)
Room 404B
“Critical Craft: What Craft Archives?”
Room 408B
“Disappointment and Representation”
Room 406A
“Fear of the Unknown” (Mid-America College Art Association MACAA)
Room 402B
“Mobilizing the Collection” (Association of Art Museum Curators)
Room 407
“New Directions in Black-British Art History”
Room 409A
“No Discipline”
Room 408A
“Olfactory Art and the Political in an Age of Resistance “
Room 503
“Speculative Play”
Room 402A
“Structure, Texture, Facture in Avant-Garde Art”
Room 501A
“Surrealism’s Subversive Taxonomies”
Room 501B
“Webs of Significance: Mapping Experience”
403B
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